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Bebop Spoken There

Marc Myers: " If the original group with Baker was Dover sole, the group with Brookmeyer was beef stew." - (JazzWax, December 7, 2019).

Archive

Today Tuesday December 10

Afternoon

Jazz

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Evening

Jam session - Black Swan Bar, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. House trio: Mark Williams, Paul Grainger, Rob Walker.

Tyne Valley Big Band - Fox Inn, West End Terrace, Hexham NE46 3DB.Tel: 01434 603681. 8:30pm. Free (donations).

Blues/Soul/Folk etc.

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, September 11, 2018

CD Review: Rachel Caswell - We’re All In The Dance

Rachel Caswell (vocals); Sara Caswell (violin tracks 1,3,5); Dave Stryker (guitar, arrangements); Fabian Almazan (piano, Fender Rhodes); Linda May Han Oh (bass); Johnathan Blake (drums).
(Review by Ann Alex)

Rachel Caswell comes from a musical Indiana family. At 13, she had begun to play jazz piano and cello, and, encouraged by a family friend, to sing scat and bebop. In 2015, she gave up her day job to concentrate on music, and this is her second album. We’re All In The Dance consists of re-imagined standards plus Sting’s Fragile. This is a very enjoyable CD which includes stellar instrumental playing with lots of solos.
The vocals are pleasing, though I would have liked a bit less scatting, but perhaps that is my preference rather than an objective opinion. I’m not a great one for scat unless it is exceptionally good and comes across as an integral part of the song.

The songs are: Fragile; A Lovely Way To Spend An Evening; We’re All In The Dance; Devil May Care; Two For The Road; Drown In My Own Tears; I Didn’t Know What Time It Was; Tell Me A Bedtime Story; Dexterity: Reflections (Looking Back)

Fragile has a very suitable, haunting violin solo and sung wordplay to round off the piece, which works better than scat; A Lovely Way To Spend An Evening is a romantic swinger; Devil May Care is one of the best tracks, sung freely at first, lots of effective cymbal work from the drums, and a bass solo with just odd notes from the other instruments; Drown In My Own Tears is slow and bluesy; I Didn’t Know What Time It Was literally plays with the timing, with clever phrasing by the pianist; Tell Me A Bedtime Story gives us a suitably smooth, warm, Fender Rhodes solo; Dexterity shows our singer thoroughly at home with beboppy scat; Hendricks/Monk’s Reflections is quietly bittersweet.

The CD was released on September 7 by Turtle Ridge Records (TRR-003).
Ann Alex    

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