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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,248 (and counting) posts since we started blogging 13 years ago. 667 of them this year alone and, so far, 75 this month (May 16).

Coming soon ...



May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club. 8:30pm start.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Tuesday, September 11, 2018

CD Review: Rachel Caswell - We’re All In The Dance

Rachel Caswell (vocals); Sara Caswell (violin tracks 1,3,5); Dave Stryker (guitar, arrangements); Fabian Almazan (piano, Fender Rhodes); Linda May Han Oh (bass); Johnathan Blake (drums).
(Review by Ann Alex)

Rachel Caswell comes from a musical Indiana family. At 13, she had begun to play jazz piano and cello, and, encouraged by a family friend, to sing scat and bebop. In 2015, she gave up her day job to concentrate on music, and this is her second album. We’re All In The Dance consists of re-imagined standards plus Sting’s Fragile. This is a very enjoyable CD which includes stellar instrumental playing with lots of solos.
The vocals are pleasing, though I would have liked a bit less scatting, but perhaps that is my preference rather than an objective opinion. I’m not a great one for scat unless it is exceptionally good and comes across as an integral part of the song.

The songs are: Fragile; A Lovely Way To Spend An Evening; We’re All In The Dance; Devil May Care; Two For The Road; Drown In My Own Tears; I Didn’t Know What Time It Was; Tell Me A Bedtime Story; Dexterity: Reflections (Looking Back)

Fragile has a very suitable, haunting violin solo and sung wordplay to round off the piece, which works better than scat; A Lovely Way To Spend An Evening is a romantic swinger; Devil May Care is one of the best tracks, sung freely at first, lots of effective cymbal work from the drums, and a bass solo with just odd notes from the other instruments; Drown In My Own Tears is slow and bluesy; I Didn’t Know What Time It Was literally plays with the timing, with clever phrasing by the pianist; Tell Me A Bedtime Story gives us a suitably smooth, warm, Fender Rhodes solo; Dexterity shows our singer thoroughly at home with beboppy scat; Hendricks/Monk’s Reflections is quietly bittersweet.

The CD was released on September 7 by Turtle Ridge Records (TRR-003).
Ann Alex    

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