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Bebop Spoken There

Kasia Delgado: "The naughtiest thing that I did at school was bunk off a maths lesson to practice my saxophone for a jazz band." - (i newspaper October 21, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,837 (and counting) posts since we started blogging 13 years ago. 1254 of them this year alone and, so far, 66 this month (Oct. 23).

From This Moment On ...

October

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sun 31 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon..
Sun 31: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 31: More Jam @ The Globe, Newcastle. 3:00pm. Jam session..
Sun 31: Alison Rayner Quintet @ The Globe, Newcastle. 8:00pm.

Sunday, September 16, 2018

Barnhart goes to the movies @ St Augustine's, Darlington - September 15

Jeff Barnhart (piano, vocals); Buster Keaton (star of the silent screen)
(Review by Russell) 
Jeff Barnhart made a quick return to St Augustine's to present his Silent Comedy Film Festival show. The American's introductory remarks made it abundantly clear that not only is the American piano virtuoso a fan of the silent movie era comedic greats - Charlie Chaplin, Harold Lloyd, Laurel and Hardy, Buster Keaton et al - he is something of an authority on the subject.

Barnhart's sole piano-vocal number Take your girl to the movies if you can't make love at home (comp. Bert Kalmar/Edgar Leslie, 1919) opened proceedings in the Larchfield Street Parish Centre to yet another large, enthusiastic crowd. The American insisted that from this point he would adopt a subservient role, the on-screen action, principally Buster Keaton's filmmaking genius, taking centre stage. 


Joseph M. Schenck presents 'Buster' Keaton in 'The Scarecrow'. Released exclusively through Metro Pictures Corporation.

All eyes turned to the screen suspended high above the stage. As the action unfolded, Barnhart, positioned to one side, fixed his eyes on the 1919 black and white short film (25 mins). For the most part, his piano accompaniment took the form of syncopated ragtime improvisations with dramatic/melodramatic flourishes keeping pace with Keaton's on-screen antics.

Barnhart is no stranger to this kind of entertainment. He has presented his Silent Comedy Film Festival show coast-to-coast in America and, would you believe, Rwanda?! As film critic Barry Norman was fond of saying...And why not? 

The all-Keaton presentation continued with One Week, a 1920 two-reeler (19 mins) with Keaton directing and co-editing the story of a hapless newly wed's attempt to assemble a self-build white picket fence dream home. One audience member, later to reveal he was a joiner, quipped: It's like one of my jobs!

The second set comprised one film (56 mins) from 1924. At the conclusion of Sherlock Jr. (dir. Keaton) Barnhart suggested the star of the film wasn't Keaton but rather his four-legged 'co-star' named Lucky, whose owner was one Fatty Arbuckle. 

Barnhart's earlier assertion that he would take second billing to Keaton didn't quite hold true as his virtuosic piano playing frequently drew the eye of the viewer/listener to the keyboard. In addition to the ragtime soundtrack the American couldn't resist a few bars from familiar numbers including We're in the Money (itself from a movie - Gold Diggers of 1933) and Jingle Bells. As the curtain fell (metaphorically, at least) Barnhart graciously took a few questions from the floor and, sure enough, the informed American answered at length and with no little enthusiasm for his subject, Buster Keaton.               


Russell.

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