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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,218 (and counting) posts since we started blogging 13 years ago. 637 of them this year alone and, so far, 45 this month (May 11).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

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VOTING ENDS ON MAY 14.

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May 13: Vieux Carré Jazzmen at The Holystone (weather, unfortunately, not permitting). CANCELLED!

May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Sunday, September 02, 2018

CD Review: Peter Nelson - Ash, Dust and the Chalkboard Cinema:

Peter Nelson (trombone); Alexa Barchini (voice); Nikara Warren (vibes); Josh Lawrence (trumpet); Hailey Niswanger (alto); Yuma Uesaka (bass clarinet); Willerm Delisfort (piano); Raviv Markovitz (bass); Itay Morchi (drums).
(Review by Dave Brownlow).
This intriguingly entitled album by trombonist Peter Nelson features him in three different settings – a delicate trio of vibes, wordless female vocal and trombone, a quartet of trombone, piano, bass and drums and a septet of trumpet, trombone, alto sax, bass clarinet and three rhythm.

Peter has emerged from a debilitating five-year health condition (Dystonia) which made it extremely painful and impossible to play his instrument caused by poor teaching as he learned music. He has since recovered and forged a career composing in a variety of genres and playing trombone with some of the top names in the US jazz scene. The ten unusually titled tracks on the album refer to some of the stages of Peter’s recovery and form a kind of musical suite brought to life by his collaborators each of whom has played a part in his life.

It Starts Slowly(first in your heart) is the first offering from the trio – an ethereal, out-of-this-world piece with wordless vocals and shimmering chords from the vibes contrasting sharply with the full sound of the trombone.

State of Fear (that lonely nightmare) is by the quartet – a hard-swinging performance reminiscent of a Coltrane tour-de-force with ambiguous Tyner-esque chords and some fearsome ‘machine-gun’ trombone and an unsettling drum-led coda.

As We Grow Unfamiliar (In the Void) also by the quartet is based on a repeated two-chord vamp where the rhythm team work hard to provide momentum. Agile solos from trombone and piano in ‘contemporary’ style squeeze all the possibilities from a limited chord sequence.

Cyclical Maze (Round and Round We Go) is by the septet and begins with a chorale-style intro from brass and reeds, leading to a pleasingly arranged melodic theme statement. The solos are unusual in that each player has just 8 bars, then 4, then 2 leading to a successful mass ‘free-for-all’  which completes the track.

Ghost of Sand (Slipping Through Your Fingers) is from the trio – a short out-of-tempo exploration of some imponderable idea where the brusque trombone contrasts nicely with ‘other-worldly’ floating backing.

Back to the septet for Do Nothing (If Less is More) which is a tribute to physiologist/trombonist Jan Kagarice who diagnosed and treated Nelson’s condition.

To The Water, my Eyes (To The Wave, my Heart) is a churning quartet performance with a confident theme statement with solos from bass, trombone and piano on a simple chord structure in “contemporary style.”

Peace, A Moment (you’re enough) is just trombone and bass and finds the leader in reflective mood over the bassist’s repeated motif using the instrument’s harmonics.

Behind Kind Eyes (thank you) is from the septet and sounds like something George Russell might have written. It features the alto of Niswanger, a more conventional trombone solo and a sudden and unexpected ending (i.e. no final theme statement).

Closure is a Wasted Prayer (release, relax) from the trio – is a brief, surreal, impressionist statement which concludes this CD in gentle style.

Overall, a thoughtful album in several respects – a somewhat audacious use of resources, far-reaching, imaginative compositions, and the heart-warming story of a musician, restored to health, realising his talents and abilities to the full.  

Available now on OiM 1813 from Outside In Music or peternelsonmusic.com
Dave B.

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