Bebop Spoken There

Jools Holland (on his 2026 spring/summer tour): ''With the mighty [R&B] Orchestra, our wonderful boogie woogie singers, and the brilliant Joe Webb opening the shows [including Darlington Hippodrome, June 19], we're in for some very special evenings of music.'' The Northern Echo February 5, 2026

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18263 (and counting) posts since we started blogging 18 years ago. 117 of them this year alone and, so far this month (Feb. 6), 17

From This Moment On ...

February

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. St Thomas & Bésame Mucho. Enrol at: learning@jazz.coop.
Sat 07: Side Cafe Oᴙkestar @ Café Under the Spire, Gateshead. 6:30pm. Table reservations: 0191 477 3970.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington.. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 12: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, December 03, 2017

Jambone @ Ushaw College - Dec 1

Paul Edis (MD); Emily McDermott (vocal); Alex Thompson (clarinet); James Metcalf, Lucien Guest (trumpet); Ben Lawrence (piano); Ryan Da Silva (baritone); Matthew Downey (guitar); Alex Shipsey (bass); Dylan Thompson (drums); ? (trombone); ??? (saxes)
(Review by Jerry)
Kicking off a great evening of jazz at Ushaw we had a “mini-set” from tomorrow’s stars, Jambone, featuring three originals from MD, Paul Edis, plus a new arrangement of a favourite standard – My Funny Valentine.
It Ain’t Broke (Don’t Fix It) was the philosophical opener and featured solos from clarinet, trumpet and piano (Alex Thompson, James Metcalf and Ben Lawrence – all known to me from Early Bird gigs) plus vocals from Emily McDermott (whom I had not seen before).
Next up was the Newcastle Metro inspired The Wrong Way Round, never before heard with lyrics, apparently! Emily Mc Dermott held her nerve commendably through two full verses before the main band came in. The rhythm section laid a good foundation throughout and came into prominence in what seemed like a “rock” middle section to the piece. There were more solos too, including flute.
My Funny Valentine was by way of a request – a favourite of the vocalist who needed all her lung-power here to hold her own against a very brassy arrangement. She did, and, along with more solos (sax and trombone) earned enthusiastic applause from a good-sized audience.
The final Edis’ original whose title refers to something musical (therefore beyond me!) was Bite – a lively piece with much variation which provided a vehicle to showcase more of the band members. A series, not so much of solos as of “conversations”, featured trumpet and sax, trombone and baritone sax, flute and percussion, bass and drums. Great stuff!
Apologies to all those band members whose names I did not catch: reflecting my age and theirs (band members won’t remember Young Mr. Grace) I can only say, “You’ve all done very well!”
Jerry

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