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Bebop Spoken There

John McLaughlin: '' A Love Supreme coincided with my search for meaning in life". (DownBeat, March 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17873 (and counting) posts since we started blogging 17 years ago. 194 of them this year alone and, so far, 41 this month (March 14).

From This Moment On ...

MARCH 2025.

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free.
Thu 20: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Nicknames.
Thu 20: Terri Green Experience @ Pilgrim, Newcastle. 7:30pm. £15.90.
Thu 20: King Bees @ The Cumberland Arms, Byker, Newcastle. 7:30pm (doors). Superb blues band.
Thu 20: Lindsay Hannon Trio @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Hannon’s ‘Tom Waits for No Man’ set.
Thu 20: Ray Stubbs R&B All Stars @ Mill Tavern, Hebburn. 8:30pm. Free.

Fri 21: Paul Skerritt @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: Giles Strong Quartet @ 1719, Hendon, Sunderland. 7:30pm. CANCELLED!
Fri 21: New Century Ragtime Orchestra @ Gosforth Civic Theatre, Newcastle. 7:30pm. Featuring special guest Martin Litton (piano).

Sat 22: Jason Isaacs @ St. James’ STACK, Newcastle. 12:30-2:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30pm-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Swamp Stomp String Band @ The White Room, Stanley. 7:45pm.
Sat 22: Rivkala @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sun 23: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Mississippi MacDonald @ Georgian Theatre, Stockton. 3:00pm. Blues.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: The Great Deceivers @ The Globe, Newcastle. 8:00pm. Tom Atkinson & co play King Crimson (1969-1974). Atkinson (guitar); Josh Bentham (alto sax); Stu Dawson (bass); Jeff Armstrong (drums).

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Tue 25: Fred Wesley & the New JB’s @ The Cluny. 7:30pm (doors). £27.50. POSTPONED! New date Wednesday 26 November.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, December 06, 2017

Sandrani @ the Jazz Café - November 24

Vanessa Rani (vocals);  Upneet Singh (tabla); Joe Harris (guitar)
(Review/Photos by Ken Drew) 
We saw Rani here last year as part of the Masala Festival in July, and the year before, with her band Manjula. Tonight was a different mix, a trio with tabla, guitar and voice. A stripped-down version of Manjula perhaps, but just as beguiling. Featuring musicians of Indian, English, and Mauritian heritages, this trio creates a progressive style of global music which fuses together classical Indian Raag and folk song with Western-style grooves and improvisations. Each of the players contributes to the mix so that experimentation and innovation are always present in a sound that is unique yet wholly accessible.
Vanessa Rani herself is still composing, and her voice was pitch perfect as before, occasionally soaring free in improvised passages over the established soundscape. She is fluent in a variety of verbal and musical languages, moving seamlessly across the spectrum, acting often as the prominent instrument in the ensemble, yet never overpowering.  Whilst she sings in many styles, there was one point where a certain run of blue notes made me contemplate her tackling a Latin-American style. I think it would work, her voice is more than capable, but not in this context.   Guitarist Joe Harris was playing classical guitar with this line-up and was the better for it. It sounded clean and distinct matching perfectly the style of songs played.  Tabla maestro Upneet Singh provided the South Asian feel and played constantly, with apparent ease, complementing both the style of tunes and the other performers. 
So, with the involvement of tabla player Singh, the music inclines rhythmically to the Indian classical and folk traditions, but there’s plenty of western style jazz improvisation in the mix, and Vanessa Rani herself with Portuguese inheritance but having studied extensively in India, moved seamlessly across linguistic and stylistic borders. Interestingly, the second set opened with a duo with just Singh and Harris, which itself proved that the style is flexible enough to work with only two instruments. In fact it worked very well, allowing some concentration on the two players, both individually, their interaction and their overall sound.

This is music that transcends categories, creating its own distinctive and utterly enthralling space. In fact, the review of Rani's last performance still holds true this time around:  "It’s difficult to put this music into a specific genre. In fact there’s little point – it delivers an easily accessible groove with a range of styles which are a good basis for the group to play together, take solos, enjoy what they do, entertain and intoxicate the audience.  A nice excursion for Jazz North East followers, and Gem Arts too!"  The bonus is that it was also a Women Makes Music presentation too. What's not to like?
Ken
Photos.

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