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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 24, 2017

A Jazzy Christmas: The Paul Edis Trio, Jo Harrop & Guests @ Sage Gateshead – December 22

Paul Edis (piano); Andy Champion (bass); Russ Morgan (drums); Jo Harrop (vocals); Matt Anderson (ten, sop sax); Graeme Hardy (trumpet, flugelhorn); Emma Fisk (violin); Alex Thompson (alto sax, clarinet); Kate Garnett (trombone); Megan Robinson (flute, piccolo)
(Review by Ann Alex/Photos by Jerry and main photo by Sarah Williams)
What a grand start to Christmas! A different take on many Christmas favourites to get us in the right mood. Different from the first tune, which was an unusually rhythmed  Jingle Bells, in tricky 5/4 time from the trio with Matt Anderson on tenor sax. The piano lid, bass, bass drum and mic stand were adorned with fairy lights and Paul read out Christmas cracker jokes at various times during the evening. Enter Jo wearing a glamorous short, black, sparkly dress, to sing Let It Snow, and the mood was well set for the audience in hall 2, which was full, including many seats taken on level 3.
All the instruments were well up to the mark, with the saxes and brass giving us skilled solos, Emma’s violin sounding superb, and Jo Harrop, back in her native North East, singing well in a clear voice with an obvious jazz edge, and every word distinct. And the three younger musicians, trained by Paul in the Jambone band, did themselves credit. Jo did a very fun version of Never Do A Tango With An Eskimo; then a much sadder wartime song I’ll Be Home For Christmas (if only in my dreams); a saucy Santa Baby, reminiscent of the Eartha Kitt version; a moving Have Yourself A Merry Little Christmas (with piano only).
 
 The instrumentals included White Christmas (beautiful violin from Emma); Driving Home For Christmas (requested by Mrs Edis); Santa Claus Is Coming To Town. There was a lovely carol medley, featuring the piano for In The Bleak Midwinter; O Come All Ye Faithful led by Emma; and a very up tempo Silent Night from everyone. While Jo and Paul were playing, the other instruments left the stage, then played a moving God Rest Ye Merry Gentlemen, from various parts of the auditorium downstairs. It reminded me of orchestras which Thomas Hardy recalled playing in church when he was young. The instruments were similar, though maybe not saxophones as I’m not sure if they had yet been invented, but you get the idea.
 Winter Wonderland was the last number, followed by an encore of Mel Tormé's The Christmas Song (chestnuts roasting on an open fire etc), with everyone in Santa hats, except that there was no hat left over for the drummer. Jo gave her hat to Russ, well deserved for his hard work. A friendly gesture to round off a great evening.
Ann Alex  

1 comment :

Steve T said...

On my honeymoon in Rome I saw this brilliant jumper but it was £350 and this was 1995. Had it been £100, I'd have tortured myself and no doubt led a life of regret, but at £350, there was no decision to make and so it was on Friday.
When I first saw this night on the Sage Website, I emailed Paul to say how brill it sounded but fortunately delayed buying tickets and it was only when I came to buy them later I spotted the collision.
As I said, there wasn't a decision to make which doesn't mean it doesn't hurt; imagine how splendid I'd have looked in my £350 jumper.
More or less the ultimate North East Jazz super-group, with our very own Duke Ellington (Lord Paul) at the helm. The return of a great sax player and friend of the North East, (PC ALERT) a prodigal daughter who looks and sounds terrific (ditto the fiddler), and I'll leave it for the ladies to evaluate the male protagonists in that dept.
Next Year.

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance