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Bebop Spoken There

Peter Ind: "Rightly or wrongly, I didn't value his [Miles Davis] contribution that much." - (Jazzwise October 2020).

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11,783 (and counting) posts since we started blogging 12 years ago. 1023 of them this year alone and, so far, 50 this month (Sept. 17).

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IT IS ADVISABLE TO CHECK IN ADVANCE WITH THE VENUE THAT THE GIG IS ON

FRIDAY 25

SouLutions Sistas - Hoochie Coochie, Pilgrim St., Newcastle NE1 6SF. Tel: 0191 222 0130. 8:30pm (7:00pm doors). £10.00. SOLD OUT!

SATURDAY 26

Boys of Brass - Tyne Bank Brewery, Walker Road, Newcastle NE6 2AB. Tel: 0191 265 2828. 7:00pm. £10.00. + £1.37 bf for table for two. Other packages available. See www.tynebankbrewery.co.uk.

SUNDAY 27

Vieux Carre Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Tel: 0191 691 7090. Free.

OCTOBER

THURSDAY 1

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. 0191 266 6173. 1:00pm. Free.

Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00pm - 10pm. Free. Note earlier start/finish.

Wednesday, December 06, 2017

CD Review: Tony Tixier - Life of Sensitive Creatures

Tony Tixier (piano/comp.); Karl McComas-Reichl (bass); Tommy Crane (drums).
(Review by Lance).
A collection of Tixier compositions interspersed with a few 'sweeteners' that are sufficiently stirred to be almost originals in their own right. Tight Like This is nothing like the Armstrong tune although it purports to be the same and is actually none the worse for that. French-born, NYC based, Tixier is described as being as much inspired by Ravel and Tatum as Hancock, Jarrett or Ayden Esin. Either way is good enough for me.
Darn That Dream brings to mind Bill Evans and McComas-Reichl's bass solo is fit to stand alongside any of the great bassists past and present - an absolute gem.
As the title implies, Blind Jealousy of a Paranoid is frantic with mood swings and an abrupt ending - was it homicide or un crime passionnel? Stevie Wonder's Isn't She Lovely?, the third of the three standards, is given a fascinating take reminding us that Stevie himself can cut it in jazz circles (it is said that he warms up by playing Giant Steps) and Tixier does both tune and tunesmith justice without losing his own identity.
Tixier sums it up when he refers to McComas-Reichl and Crane: "My music needs more than solo piano, so they shape it, provide space and move it in different directions".
Amen.
Lance

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