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Bebop Spoken There

Michael Dease: "Slide [Hampton] is also one of the people to expand the range of the horn, so he's popping out high Fs like they're breakfast cereals." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Friday October 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - Jesmond Royal British Legion Club, West Jesmond Avenue, Jesmond, Newcastle NE2 3EX. Tel: 0191 281 0736. 1:00pm. Free.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Evening.

Ella Fitzgerald: Just One of Those Things - Forum Cinema, Market Place, Hexham NE46 1XF. Tel: 01434 601144. 7:00pm. £8.30. - £5.80. Film (2019, 89 mins) directed by Leslie Woodhead. Swing Bridge Trio in Café Bar following screening.

Dave O’Higgins & Colin Oxley - Great Broughton Village Hall, Ingleby Road, Great Broughton TS9 7ER. 7:30pm. £20.00. ‘O’Higgins & Oxley Play Monk & ‘Trane’. Oxley replaces Rob Luft.

Paul Taylor - Ushaw College, Durham DH7 7DW. Tel: 0191 334 5119. 7:30pm. Free (donations). An Ushaw Piano Festival event.

Jazz Lads - Saltburn Cricket Club, Marske Mill Lane, Saltburn TS12 1HJ. Tel: 01287 622761. 8:00pm. £5.00.

Guisborough Big Band - Saltburn Golf Club, Guisborough Road, Saltburn TS12 1NJ. Tel: 01287 622812. Time TBC.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. Time 8:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Blues/Soul etc.

Ray Stubbs R & B All Stars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 10, 2017

House of the Black Gardenia @ Billy Bootleggers - Dec 9

(Review by Russell)
A third gig of the day for your correspondent. Arriving at Billy Bootleggers during the interval sometime around ten thirty, the joint was jumpin’. The basement juke joint on Nelson Street has rapidly established itself as the place to hang out, be seen, dance, drink beer (American, buddy) and hear the best dirt-kickin’ roadhouse blues, jazz and hokum east of the Mississippi.
The beer flowing (Shipyard Brewing Company, Portland, Maine), standing (and dancing) room only all night long, the House of the Black Gardenia were about to begin their second set. Frontwoman, the fabulous Bobbi Charleston, strapped on her washboard, the boys in the band ready to go, Blue Drag then Viper Mad. The band, all waistcoats and braces, stepped right out of Steinbeck’s Grapes of Wrath to play some of the best stuff you’re ever likely to hear. Detached, dead-eye characters on the stand looked on as the revellers danced the night away. Bassist and sousaphonist Neil Hopper didn’t blink, similarly, guitarist Michael Littlefield (frontman with the King Bees) stared, vacantly, into the middle distance, looking not unlike an ‘other world’ Manouche.

 The HotBG horns wailed right side of stage. Piecing clarinet from a strictly smokin’ Keith Robinson attempted to make itself heard, Aussie trumpeter Richard Burns blew and blew, later confiding that he couldn’t hear a darn thing. Good, just as it should be! What a gig! To our left, somewhere on the floor, Ben Imrye rattled the 88s, drummer Kit Haigh wasn’t sighted all night, hidden as he was, way down in the engine room hole – Billy Bootleggers is one hell of a tight juke joint!

Make no mistake, Bobbi Charleston is the focal point. Star quality, great vocals and, if there is such a thing, a washboard virtuoso. Charleston exclaimed I Wish I Could Shimmy Like My Sister Kate as a dance floor full of budding Kates shimmied the night away. Baby Don’t Tear My Clothes pleaded Ms Charleston. A gentleman would never consider doing such a thing, would he? The HotBG is as good as it gets and Billy Bootleggers just can’t get enough of ’em. Weed Smoker’s Dream closed a brilliant performance. The next time House of the Black Gardenia hit your local dive bar be there, a good time is guaranteed.                        
Russell.

Bobbi Charleston (washboard & vocals), Richard Burns (trumpet), Keith Robinson (clarinet & tenor saxophone), Keiran Parnaby (trombone), Michael Littlefield (guitar & vocals), Ben Imrye (keyboards & vocals), Neil Hopper (double bass & sousaphone) & Kit Haigh (drums)  

1 comment :

Patti said...

Mr Be Bop Spoken Here reviewer has surpassed himself here - an ace review of an even 'acer' gig. This was a storming session - a fabulous atmosphere in the joint to start with, and a hotter than hades lowdown and dirty jazz band! The joint was jumping!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance