Total Pageviews

Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Sat 21: Vieux Carré Hot 4 @ Market Place, Darlington. 11:00am - 3:00pm. All star line-up!
Sat 21: Elkie Brooks @ Whitley Bay Playhouse. 7:30pm.
Sat 21: Jools Holland’s R & B Orchestra @ The Hippodrome, Darlington. 7:30pm.
Sat 21: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm. CANCELLED!
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Saturday, December 09, 2017

Ayanna Witter-Johnson @ The Black Swan December 7

Ayanna Witter-Johnson (cello/keys/voice).
(Review by Steve H/photo courtesy of Mike Tilley from archives)
Ayanna Witter-Johnson made a more than welcome return to Newcastle at The Black Swan, virtually a year after appearing the Jazz Café. Everything I said in the review of that gig still applies The audience ….. were rewarded with a performance of charm, elegance, and sheer quality’. Her performance on Thursday night seemed to be more relaxed and confident than previously and there were some new songs to appreciate and enjoy. A measure of just how comfortable Witter-Johnson felt on stage was that she invited questions from the audience in between numbers. 
Two questions were asked about the history of Reuben her beloved cello which we found out was originally loaned and then subsequently purchased from her headmaster at secondary school. A lot of the self-penned songs are autobiographical referring to relationships past and present. One composition Romeo was a commission from the Hip Hop Shakespeare Company which featured many of the bard's most famous works. 
A traditional Jamaican call and response song  Hill an Gully gave the gave the audience the opportunity to participate in proceedings. As a tribute to the 100th anniversary of Ella’s birth, a moving version of Misty was performed. One of the advantages of performing in the larger venue of the Black Swan as opposed to the Jazz Café was that it allowed Witter-Johnson to use the large stage to great effect. Her main stance was standing upright at a microphone whilst accompanying herself on Reuben but this was only one of the performance positions adopted. Reuben was played lying on the floor, guitar like on the lap and at one point Witter-Johnson curled herself downwards and sung into the cello mike. The only method not employed seemed to be the classical one of cello being rested on chest whilst being sat down on a chair. However, she did adopt a more conventional style when playing the keyboard on a selection of numbers. 
The final scheduled piece of the evening was a non-reggae cover of Bob Marley’s One Love but luckily for the select and highly appreciative audience, they managed to coax one more tune. Unconditionally dedicated to her mother which seemed only fair since her father had previously had a song Chariot honouring him. A really entertaining evening and I look forward to not only seeing Witter-Johnson back in Newcastle again but also to see her becoming a major star on the British music scene which her talent and personality surely deserve.
Steve H.

No comments :

Blog Archive