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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Thursday July 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. - See above.

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential).

Alan Barnes & Sue Ferris w Paul Edis Trio - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £12.00.

Dulcie May Moreno Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 8:00pm (doors 7:30pm). £6.00. (£3.00. student).

Tees Hot Club w. Richie Emmerson, Noel Dennis, Ted Pierce, Mark Hawkins - Tees Hot Club, Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, March 12, 2017

LP Review: Tubby Hayes Quintet - Modes and Blues

Tubby Hayes (flute/tenor); Jimmy Deuchar (trumpet); Terry Shannon (piano); Freddy Logan (bass); Allan Ganley (drums).
(Review by Lance).
If anything was to confirm my advancing years it's the knowledge that so many of my jazz colleagues never heard Tubby Hayes live and some, not even on record. Well, without displaying a sympathetic smug, thumbs in waistcoat, superiority, this is your chance to catch up and discover what you've been missing and what I've been telling you all along.
Recorded live at Ronnie Scott's in February 1964, this, previously unreleased, Gearbox vinyl release gives an indication of what all the fuss was about.

Hayes, arguably the greatest British jazz musician ever, had begun to assimilate the work of John Coltrane. Not the earlier Sheets of Sound Coltrane although that was already there but the modal approach as found on the legendary American's album Impressions.
After the opening theme on flute, Hayes barnstorms through the remaining 17/18 minutes of side A on tenor. It's a prodigious performance and I can well imagine the punters at Ronnie's that evening sitting awestruck. Or maybe they weren't. The quintet had been playing there on a weekly basis and possibly the listeners were becoming blasé little realising the history that was being created in front of them After all, this was 1964 and British musicians weren't supposed to be that good, only Americans like Johnny Griffin and Coltrane. Except that if groups like The Beatles and The Stones could conquer the pop world why couldn't a British saxophone player do the same? On this, and many other occasions, he did.
Side B allows Deuchar to stretch out and, whilst not quite the world beater that Tubbs was, he doesn't fail to deliver, his hard bop style keeps the momentum flowing as does unsung hero Shannon backed up by Logan and Ganley.
One of the great British bands of the period and a timely reminder of 'The Little Giant'.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance