Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18585 (and counting) posts since we started blogging 18 years ago. 449 of them this year alone and, so far this month (May 31) 103

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Hirst.
Tue 02: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 03: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 04: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 04: Postmodern Jukebox @ Glasshouse, Gateshead. 7:30pm.
Thu 04: Webster’s Ragtime Trio @ The Witham, Barnard Castle. 7:30pm. £17.00. Trio from Texas, USA.
Thu 04: King Bees @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Chicago blues excellence!
Thu 04: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 04: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 05: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 05: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 05: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 05-Thu 11: FILM: Köln 75 @ Tyneside Cinema, Newcastle. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne. Screenings TBC.
Fri 05: Pete Tanton & Alan Law @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 05: House of the Black Gardenia: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 7:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). House of the Black Gardenia evening performance. Day 1/3.
Fri 05: Strictly Smokin’ Big Band + IKS Big Band @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). £24.00. Big band double bill. IKS Big Band (Germany).
Fri 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Saltburn Community Hall. 7:30pm. £15.00

Sat 06: Struggle Buggy @ Billy Bootleggers, Ouseburn, Newcastle. 3:00pm. Free. Blues.
Sat 06: Teresa Watson Band @ Billy Bootleggers, Ouseburn, Newcastle. 6:00pm. Free. Blues.
Sat 06: Lindsay Hannon: Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm (6:30pm doors). £15.00.
Sat 06: IKS Big Band: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 7:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). IKS Big Band evening performance. Day 2/3.
Sat 06: Tyne Valley Big Band @ Northumbrian Revival, West Benridge Farm, nr. Morpeth NE61 3RZ. 7:30-9:30pm. £21.47 (£2.77. child). 82nd D-Day anniversary event.
Sat 06: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 06: FILM: The Magic City: Birmingham According to Sun Ra @ The Star & Shadow Cinema, Newcastle. 9:30pm. £7.00., £5.00. Dir. Guillaume Maupin & Pablo Guarise.

Sun 07: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 07: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Steve Walker (trumpet).
Sun 07: Joe Steels: Celebrating Wes @ Central Bar, Gateshead. 2:00pm. £10.00. Trio: Joe Steels, Mick Shoulder, Abbie Finn.
Sun 07: Sax Choir @ The Globe, Newcastle. 2:00pm. Free. Sun 07: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 07: Eddie Gripper Trio @ Queen’s Hall, Hexham. 3:00pm. Gripper (piano); Clem Saynor (double bass); Patrick Barrett-Donlon (drums). Americana album tour.
Sun 07: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 07: Magpies of Swing: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 4:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). Magpies of Swing afternoon performance. Day 3/3.
Sun 07: Webster’s Ragtime Trio @ The Ship Inn, Low Newton. 7:00pm. £12.50. Trio from Texas, USA.
Sun 07: Salty Dog @ Alnwick Playhouse. 7:00pm. £5.00. Performance in the Studio venue.
Sun 07: Ian Millar & Dominic Spencer @ Riding Mill Village Hall. 7:30pm. £12.00.
Sun 07: Swing Manouche @ The Globe, Newcastle. 8:00pm. Feat. Steve McGarvie (clarinet).

Mon 08: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 08: Dave Bristow Quintet @ Cluny 2, Newcastle. 7:30pm (doors). £22.00., £11.00., £5.50. Bristow (piano); Christian Altehülshorst (trumpet); Félix Hardouin (alto sax); Gabriel Pierre (double bass); Guillaume Prévost (drums).

Tuesday, March 28, 2017

As I was saying about Bob Dylan....

(By JC)
While there has been some debate about whether Bob Dylan should feature on BSH it should be noted that, following his two earlier GAS book recordings, he has now released another 30 songs on a 3-CD album called Triplicate. As this has just been released I have not heard it yet but it's on my list (at the moment I am still working my way through last year's release of a 36-CD box set of every concert on Dylan's infamous 1966 world tour!). However, I have read an interview he gave to Bill Flanagan to coincide with the release of Triplicate in which he talks in a very interesting way about why the songs are important to him and why he wants to record them.

He talks about meeting Sinatra and what songs he liked and also what jazz musicians he likes and draws on - Tommy Dorsey, Gene Krupa, Elvin Jones, Artie Shaw and Fats Waller. He also mentions seeing Coltrane at the Village Gate and how Ornette Coleman and himself would go to each other's concerts. When asked about what he listens to late at night Dylan mentions Sarah Vaughan's My Kinda Love and the album she did with Clifford Brown. And I've left out all the references to the folk tradition, blues and rock and roll. Whatever people think of him this is a guy who really listens to other people's music.
For his last question the interviewer asks:

'- From the 20s into the early 50s, the line between blues and pop and country and jazz was very flexible. Robert Johnson, Jimmie Rodgers, Bing Crosby, Ray Charles all tried their hand at everything. Why do fences come up between different styles of American music?'

'- Because of the pressure to conform.'

The interview can be found on Bob Dylan's website - http://bobdylan.com/news/qa-with-bill-flanagan/

JC
Available March 31 - Amazon.
at

1 comment :

Richard Waddington said...

I don't think it was that Bob shouldn't be on a jazz site, especially doing versions of the great American songbook, but concern that it had the most hits.
There's been a discussion this very day whether progressive rock should feature and, while I can't believe I'm agreeing with Steve T, there are far greater parallels between jazz and progressive rock than jazz and Bob, even Bob doing great American songbook.
Incidentally, Robert Johnson made less than thirty records, all fairly straightforward country blues.
Bing was a crooner - always and as far as I can tell Jimmie Rodgers made country and western. Ray Charles was a jack of all trades, master of none. As a soul singer he was no James Brown, as a blues artist he was no Muddy, as a rock and roller he was no Elvis, as a jazz artist he was no Miles, as a crooner he was no Sinatra. He may have been good at c+w, I've no idea. Better than Johnny Cash I'll bet. Oops, another sacred nut-roast.

Tuesday, March 28, 2017 7:51:00 pm

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