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Bebop Spoken There

Joe Farnsworth: "I have to say that jazz in New York will never die. It may seem like all the music happened 3,000 years ago, but, Charlie Parker, Billy Higgins, Max Roach and all the others are still here. You can feel their presence."- (DownBeat, January 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13862 (and counting) posts since we started blogging 13 years ago. 81 of them this year alone and, so far, 81 this month (Jan. 25).

From This Moment On ...

January 2022

Tue 25: East Coast Swing Band @ East Bedlington Community Centre. 10:00am - 12 noon. Rehearsal session (open to the public) .
Tue 25: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Murray Wankling, Paul Grainger, King David Ike-Elechi.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 26: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public). CANCELLED!
Wed 26: Four @ The Exchange, North Shields. 7:00pm .
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 27: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 27: Tobias Sarra & John Garner @ Cobalt Studios, Newcastle. 7:00pm .
Thu 27: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 27: Knats’ Night: Knats + Swannek @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 27: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm. CANCELLED! .
Thu 27: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 28: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 28: Ian Millar & Dominic Spencer @ Bishop Middleham Village Hall, Ferryhill. 8:00pm. £10.00.
Fri 28: Struggle Buggy @ The Globe, Newcastle. 8:00pm. Blues band.

Sat 29: Lindsay Hannon & Martin Douglas @ Cobalt Studios, Newcastle. 2:00pm. Life Drawing & Live Music. Enrol at: www.cobaltstudios.co.uk.

Sun 30 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 30: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 30: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 30: Hot Club du Nord @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 31: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

February 2022

Tue 01: East Coast Swing Band @ East Bedlington Community Centre. 10:00am - 12 noon. Rehearsal session (open to the public).

Tuesday, March 28, 2017

As I was saying about Bob Dylan....

(By JC)
While there has been some debate about whether Bob Dylan should feature on BSH it should be noted that, following his two earlier GAS book recordings, he has now released another 30 songs on a 3-CD album called Triplicate. As this has just been released I have not heard it yet but it's on my list (at the moment I am still working my way through last year's release of a 36-CD box set of every concert on Dylan's infamous 1966 world tour!). However, I have read an interview he gave to Bill Flanagan to coincide with the release of Triplicate in which he talks in a very interesting way about why the songs are important to him and why he wants to record them.

He talks about meeting Sinatra and what songs he liked and also what jazz musicians he likes and draws on - Tommy Dorsey, Gene Krupa, Elvin Jones, Artie Shaw and Fats Waller. He also mentions seeing Coltrane at the Village Gate and how Ornette Coleman and himself would go to each other's concerts. When asked about what he listens to late at night Dylan mentions Sarah Vaughan's My Kinda Love and the album she did with Clifford Brown. And I've left out all the references to the folk tradition, blues and rock and roll. Whatever people think of him this is a guy who really listens to other people's music.
For his last question the interviewer asks:

'- From the 20s into the early 50s, the line between blues and pop and country and jazz was very flexible. Robert Johnson, Jimmie Rodgers, Bing Crosby, Ray Charles all tried their hand at everything. Why do fences come up between different styles of American music?'

'- Because of the pressure to conform.'

The interview can be found on Bob Dylan's website - http://bobdylan.com/news/qa-with-bill-flanagan/

JC

1 comment :

Richard Waddington said...

I don't think it was that Bob shouldn't be on a jazz site, especially doing versions of the great American songbook, but concern that it had the most hits.
There's been a discussion this very day whether progressive rock should feature and, while I can't believe I'm agreeing with Steve T, there are far greater parallels between jazz and progressive rock than jazz and Bob, even Bob doing great American songbook.
Incidentally, Robert Johnson made less than thirty records, all fairly straightforward country blues.
Bing was a crooner - always and as far as I can tell Jimmie Rodgers made country and western. Ray Charles was a jack of all trades, master of none. As a soul singer he was no James Brown, as a blues artist he was no Muddy, as a rock and roller he was no Elvis, as a jazz artist he was no Miles, as a crooner he was no Sinatra. He may have been good at c+w, I've no idea. Better than Johnny Cash I'll bet. Oops, another sacred nut-roast.

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