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Bebop Spoken There

Vadim Neselovskyi, Professor of Jazz Piano, Berklee College of Music: “Every pianist has to deal with a very complex left-hand part at some point. This is the essential pianistic experience – to split your brain into two halves and execute two very different tasks at the same time.” – (Down Beat September 2017).

Roscoe Mitchell: “To me, improvisation is trying to improve your skills so you can make these on-point compositional decisions. That takes practice.” – (Down Beat September 2017)

Archives

Today Monday September 25

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. 0191 4880954. 1pm. Free. New mainstream gig w. Bob Wade (trumpet); Olive Rudd (vocal) and other familiar faces.
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Alastair Lord (trumpet) & Kris Thomsett (organ) - St. Nicholas Cathedral, St. Nicholas Square, Newcastle NE1 1PF. 1:05. Free (retiring collection).
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Evening.
?????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, March 06, 2017

CD Review: Jeff Rupert & Richard Drexler - Imagination.

Jeff Rupert (tenor); Richard Drexler (piano).
(Review by Lance).
What a gem! Why did I procrastinate? Superb tenor, piano playing on a par.
Recorded live at Timucua Arts White House in Orlando, Fl back in June 2015 the music just flows. Tenor and piano gel supporting and feeding off each other. It's no surprise that, presumably when he was very young, both Mel Tormé and Maynard Ferguson laid high praise on Jeff Rupert and praise from those two doesn't come much higher. Drexler played piano with the Woody Herman Band for 20 years as well as playing bass in the trios of Kenny Drew Jr., and Dick Hyman - not a bad CV (he's also a faculty member of the University of Central Florida's acclaimed jazz studies program, along with Rupert).
Tonally, Jeff Rupert is Getzian rather than Coltranic but, hey, there's room for both whilst Drexler is that kind of pianist, a man for all seasons, a bit like the late Hank Jones. Give him the gig, he'll do it and probably better than anyone else in contention.
With the exception of Rupert's composition My Mistress' Eyes (based on a Shakespearian sonnet) the music is based around a choice selection of gas book/jazz book material which, in these days of "you've gotta play originals" is, at least in the UK, practically a hanging offence!
Without a Song (Vincent Youmans); I Can't Help It (Stevie Wonder); Snowfall (Claude Thornhill); Strange Meadowlark (Dave Brubeck); Imagination (Jimmy Van Heusen); A Felicidade (Jobim); My Mistress' Eyes (Jeff Rupert); Soul Eyes (Mal Waldron). 
I'm going to be playing this on the car stereo - BSH's equivalent of a Grammy nomination.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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