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Bebop Spoken There

Alan Barnes: "Normally you can cobble a set together with five guys on the back of an envelope over the first pint and it's just fine. Livestreaming isn't like that." - (Jazzwise July 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,381 (and counting) posts since we started blogging 13 years ago. 799 of them this year alone and, so far, 73 this month (June 20).

From This Moment On

JUNE

Thu 24: Vieux Carré Jazzmen @ The Holystone, North Tyneside 1:00pm).

Thu 24: Maine Street Jazzmen @ Sunniside Social Club, Gateshead (8:30pm).

Fri 25: Hot Club du Nord @ St Mary's Parish Hall, Barnard Castle. 7:00pm. Tickets: £15.00. + bf. A Barnard Castle Rotary Club event. POSTPONED!

Fri 25: Archipelago + Faith Brackenbury @ Gosforth Civic Theatre, Newcastle (8:00pm). £10.00. & £8.00. Echoes to the Sky album launch. A GCT Jazz Club-Jazz North East co-promotion.

Fri 25 Alter Ego @ Traveller's Rest, Cockerton, Darlington (8:00pm). POSTPONED!

Sat 26: Tyne Valley Big Band @ The Sele, Hexham (3:45pm).

Sun 27: Vieux Carré Hot Four @ Spanish City, Whitley Bay (12 noon).

Sun 27: Noel Dennis Trio @ The Globe, Newcastle (8:00pm). £10.00. Advance booking essential: . A Jazz Co-op-Jazz North East co-promotion.

Tue 29: Dean Stockdale Trio @ The Lubetkin Theatre, East Durham College, Peterlee (1:00pm). Tickets £6.00. + bf from: www.ticketsource.co.uk

Tuesday, March 21, 2017

Triggerlawross @ The Globe March 18

Alan Law (keys); Katy Trigger (bass guitar); Matt Ross (drums)
(Review by Ann Alex)
Yes, as suggested by the name, a monstrous new band has entered the local jazz scene: Alan Law playing as you’ve never heard him before, Katy Trigger giving the bass an equal status from her place at the right-hand side of stage front, and Mr. Ross giving it all on the drum kit. Eight or so long pieces, all original tunes, sounding as if most of the work had developed from improvisation, sometimes flowing lyrical keys, sometimes strong chords from the low end of the piano, then insistent, repeated riffs, often exchanged between piano and bass. An adventurous bass, lyrical, and then interestingly jangly and breathy by turns. And the drummer doing what drummers do, but more so.
Each tune was introduced by Alan, although I couldn’t fully hear what he said from the back of the jazz bar. The first piece was typical, an account of a night out Alan said, beginning with a slow sultry swing, then faster as they left a pub and started to walk, leading into heavy bass and piano, probably a rainstorm. There followed a bass solo with crisp sounds, drums, a bell-like piano, rounded off with repeated riffs. A tune called It’s Love opened with steady drum and bass beats (is this drum’n bass?) to an overlay of keys, which was accidently augmented by loud shouts of singing from the band playing in the downstairs bar. There followed a ballad which deserves to have words set to it, and which Alan said had been influenced by Jarrett’s I Fall In Love Too Easily. Forgive Me (?) had the bass and piano passing a line of the tune between them, then improvising on the line. The next number quoted from My Favourite Things which seems to be popular with jazz musicians these days. The last tune was called Valhalla, a title with Wagnerian connections which wasn’t too far from the mood of the gig. The metro called me home before I could hear much of the well-deserved encore.
The music is quite hard to describe, forget jazz standards with solos all round, think more improvisational influenced, but to really appreciate the band, go to hear them for yourself.
Ann Alex

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