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Bebop Spoken There

Victor Wooten: "People don't expect to have bass players get together and sound like music and not just like a bunch of elephants" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14226 (and counting) posts since we started blogging 14 years ago. 445 of them this year alone and, so far, 45 this month (May 13).

From This Moment On ...

May.

Tue 17: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 18: Four @ The Exchange, North Shields. 7:00pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 19: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 19: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 19: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 19: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 19: 58 Jazz Collective @ Dorman’s Club, Middlesbrough. 9:00pm. TBC.

Fri 20: Andrea Vicari Trio @ Lit & Phil, Newcastle. 1:00pm. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 20: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 20: Swing Bridge @ Garden House Coffee, Hallgate, Hexham. 4:05pm.
Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Fri 20: Customs House Big Band w Ruth Lambert @ Exchange, North Shields. 7:30pm.
Fri 20: Andrea Vicari Trio @ Traveller’s Rest, Darlington. 8:00pm. £12.00. Opus 4 Jazz Club. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).

Sat 21: Elkie Brooks @ Whitley Bay Playhouse. 7:30pm.
Sat 21: Jools Holland’s R & B Orchestra @ The Hippodrome, Darlington. 7:30pm.
Sat 21: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm.
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Saturday, March 25, 2017

CD Review: Partikel - Counteraction.

(Review by Steve H).
Partikel began life as a sax, bass and drums acoustic trio. However, they continually evolve their line up with different combinations of musicians. For this album, they have added guitar, cello, violin, flute, baritone sax and electronics and they all contribute to a marvellous canvas of contemporary, free-spirited jazz.
A quiet intro into Land and Sea leads to a very melodious up-tempo piece with Duncan Eagles on tenor the central figure. Scenes and Sounds continues at a fine old pace with Anna Cooper’s flute having an almost Tullish effect as in Jethro. Ant Law then produces a fine solo before Eagles sees the piece calmly out. 
Lanterns is another strident piece with Eric Ford on drums giving it a fine bish bosh and bassist Max Luthert keeping a fine ensemble piece going.

The title track, and my own personal favourite, Counteraction features violinist Benet McLean to stunning effect conjuring up a vast range of hypnotic sounds, meanwhile, Eagles, as usual, augments proceedings with considerable aplomb. Moving Fields has a raucous start before prominent electronics cut in. Ant Law then contributes an extended solo before Eagles and the rest of the band play us out. 
The Blood of the Pharaoh has an almost classical cello introduction by Matthew Sharp. This haunting melody reappears throughout the piece as does some great percussive effects including a ‘clanger’ style whistle. Finally the piece ‘clip clops’ to a gentle conclusion. Bolden Days has a jolly start with violin and baritone playing off each other; the rest of the ensemble then pitch in a very cheerful manner to complete this fine album.
Steve H.

Duncan Eagles: soprano saxophone, tenor saxophone; Max Luthert: double bass; Eric Ford: drums; Ant Law: guitar (all tracks except 4); Benet McLean: violin (1,3,4,5,8); Anna Cooper: flute, baritone saxophone (1,2,8); Sisi Lu: electronics.

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