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Bebop Spoken There

Kelly Sill: "Just because everyone is playing through the changes in the same time doesn't mean they're actually playing together" - (JazzTimes March/April 2023).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15260 (and counting) posts since we started blogging 15 years ago. 279 of them this year alone and, so far, 92 this month (March 29).

From This Moment On ...

April
Sat 01: The Big Easy @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 01: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning - In a Minor Key. £25.00. Enrol at: www.jazz.coop.
Sat 01: Abbie Finn Trio @ The Vault, Darlington Covered Market, Darlington DL1 5PN. 6:00pm. New venue, live jazz!
Sat 01: Jambone @ Sage Gateshead. 7:00pm. Free (book online). A YMP! event in the Northern Rock Foundation Hall.
Sat 01: Jude Murphy & Dan Stanley @ Prohibtion Bar, Newcastle. 8:00pm. A 'Jar on the Bar' gig.
Sat 01: Boys of Brass @ Stack, Seaburn. 7:00-9:00pm.
Sat 01: Hot Club du Nord @ Pleased to Meet You, Bridge St., Morpeth. 8:00pm. £79.00. A charity fundraising event.
Sat 01: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00. RESCHEDULED to next week (Sat 08).

Sun 02: Smokin' Spitfires @ The Cluny. 12:45pm.
Sun 02: 4B @ The Exchange, North Shields. 3:00pm.

Mon 03: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 04: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.
Tue 04: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Bradley Johnston (guitar); Paul Grainger (double bass); Abbie Finn (drums).

Wed 05: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 05: 4B @ The Exchange, North Shields. 7:00pm.
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 06: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 06: Thursday Night Prayer Meeting @ The Globe, Newcastle. 7:30pm. Donations. Feat. John Pope, Marie Shreer, John Garner.
Thu 06: Merlin Roxby @ Prohibtion Bar, Newcastle. 8:00pm. Ragtime piano. A 'Jar on the Bar' gig.
Thu 06: Darlington Big Band @ Dorman's Club, Middlesbrough. 8:30pm. Note earlier start time.

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 07: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 07: Gaz Hughes Trio @ Saltburn Community Hall. 7:30pm.
Fri 07: Mark Toomey Quartet @ Traveller's Rest, Darlington. 8:00pm. £8.00.
Fri 07: Finntet + Zoë Gilby & Andy Champion @ Bobik's, Punch Bowl, Newcastle. 8:00pm. JNE.
Fri 07: TBA @ Prohibition Bar, Newcastle. 8:00pm. A 'Jar on the Bar' gig. Blind Pig Blues Club.

Monday, March 27, 2017

Julian Siegel Jazz Orchestra @ Ronnie Scott's - March 16

(Review by Brian Blain/Photo courtesy of Anne Rigg)
From the spine-tingling brass stabs and powerful backbeat of Gene Calderazzo's drumming on the opening Mama Badgers, that took me back to that Brecker Brothers’ album with the WDR German Radio Big Band, the packed house at Ronnie Scott's (absolutely no freebies!) just knew that they were in for the kind of jazz excitement that only a 17 piece band can deliver.
Not that the whole program consisted of powerhouse sturm und drang; far from it. Tenor playing Siegel is a subtle and complex musical character, partially inspired by one of his mentors, Stan Sulzmann, one of the members of the saxophone section, and possibly responsible for the kind of  pah writing that pitted  Liam Noble in full elegiac mode against beautiful saxophone voicings on Tales From the Jacquard of which more later.

One of the great joys of Julian's writing was the wonderful contrast in moods throughout and for me, although thoroughly contemporary, somewhere in its DNA, echoes of classic sounds of the past, like the 'sizzle' of the trumpet section led by the astonishing Tom Walsh - still a student at the Royal Academy - on that opening theme. Elsewhere, in a Jacquard passage
with all the sections complementing and moving 'tutti' fashion against each other with a particularly rich creamy mix coming from the woodwinds, I even thought of Kenton.
The core of the long single set was Tales From the Jacquard, commissioned by the Arts Council, and around which Julian's 'dream tour' of six Midland towns and Ronnie's was built. It takes its name from the lace making machinery which was once an important part of Nottingham's life and an industry in which Julian's parents earned their living.
The opening section was peculiarly gripping, consisting of recorded sounds of the machinery which provided a multi-rhythmic basis for the thematic material of its subsequent sections. In a band full of strong soloists such as trombonists, Mark Nightingale and Trevor Mires, the flute playing of Tori Freestone in this piece was outstanding, and another section consisting of a hair-raising saxophone soli section which gradually gave way to bell sounding chimes suggestive of quiet Sunday rest for the factory employees was quite brilliant.
There was so much happening in this memorable event that it would be criminal not to mention the role of  Derby Jazz in kick-starting the whole project and of trumpet player Nick Smart, Head of Jazz Studies at The Royal Academy who conducted this complex but totally accessible music magnificently. And, oh yes, his own band Black Eyed Dog, with a superb guest appearance on Nick Drake's River Man, by Claire Martin, was just marvellous, well worth a spot on any Festival in the calendar. 

Brian Blain.

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