Total Pageviews

Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

-----

Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

Posting a comment

If you experience any problems posting a comment, as I understand some readers are, then email it to me direct, stating which post your comment relates to - lanceliddle@gmail.com. Alternatively, try the Anonymous button but please sign your name!
Apologies for any inconvenience, this is due to circumstances beyond my control.

Youre Vote is Important

Voting is now taking place for Nominations in the All Party Parliamentary Jazz Awards. Please take this opportunity to vote in the various categories including MEDIA where a vote for Bebop Spoken Here would be much appreciated.

Today Wednesday June 20

Afternoon

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Take it to the Bridge - The Globe, 11 Railway Street, Newcastle NE4 7AD. 8:00pm. £1.00.

-----

Cancelled!

Francis Tulip Quartet - Sage Gateshead, Gateshead Quays, Gateshead NE8 2JR. 6:30pm. Concourse gig.

Cancelled!

-----

Emma Fisk & James Birkett + Hot Club du Nord - Sage Gateshead Sage Gateshead, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4666. 8:00pm. £15.30.

Steve Glendinning & Paul Grainger - Dun Cow, Brandling Village, Jesmond, Newcastle NE2 4RS. 8pm. Free.

Community Hall New Orleans Band - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm £3.00.

Moonshine Sessions - Billy Bootleggers, 28 Nelson Street, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, March 02, 2017

Guitarist goes it alone in Eyemouth

(By Rob Adams)
Scottish guitarist Nigel Clark plays a rare solo gig back in his home country when he appears at Eyemouth Hippodrome, just north of the Bebop Spoken Here heartlands on Saturday, March 11.
Currently based in Dublin, Clark spends much of his time these days touring with Dutch violinist Tim Kliphuis’s trio and has just released an album, Confetti Falling in the Rain, with the Irish singer Colette Cassidy.
“I really enjoy working with Tim and Colette but there’s something I particularly like about being alone with an audience,” says Clark who began playing professionally at the age of eighteen and played with 1980s chart-toppers Hue & Cry and soul singer Gloria Gaynor before following his hero, John McLaughlin into jazz and jazz-rock.

“The stories behind the tunes in the jazz repertoire are often almost as compelling as the melodies and harmonies that shape them and it’s much easier to share anecdotes from the stage when you don’t have two or three other musicians kicking their heels, waiting for you to shut up and play!”
From gigs with his own band, which included saxophonist Tim Garland and pianist Brian Kellock, Clark went on to accompany singer Carol Kidd and after signing with New York label Arkadia Records he found himself playing guitar festivals in a band comprising eleven of Europe’s top players including Jan Akkerman, Terje Rypdal and Wolfgang Muthspiel.
It was with his first album for Arkadia, Grand Hotel Europa, that Clark made the permanent switch from electric to acoustic nylon strung guitar, finding the latter a more personal means of expressing himself. He subsequently formed a duo with Belgian guitar legend Philip Catherine and when, in 2007, Tim Kliphuis was looking to move beyond the “Dutch Stephane Grappelli” description that had helped to establish him, he found Clark’s readiness to play anything from a Scottish traditional tune to the Mahavishnu Orchestra’s The Dance of Maya an inspiration.
Clark recorded a solo album, Under the Stars, in 2012 and its arrangements of standards such as Body & Soul and All the Things You Are form the basis of his set list.
“I include one or two rock and pop songs, Santana’s Samba Pa Ti and maybe a Beatles song or two, because I like playing them but also because audiences might not always be familiar with other tunes I play, like Joe Pass’s Paco de Lucia, for example, and they can help to break the ice.”

Rob Adams.

No comments :

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!