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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Tuesday November 21

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free. New weekly mainstream session. 2 mins from Monkseaton metro.
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Evening

Jam session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 0191 222 9882. 8:00pm Free. Session led by Mark Williams.

Omar Sosa + Seckou Keita - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. 0191 443 4666. 8:00pm. £21.80. Sage Two.

Gypsy Jazz Jam - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free. ‘No audience as such – everyone is a player/musician or a gypsy!’

Charles Gordon - Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 0191 233 1010.

10:00pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, March 02, 2017

Guitarist goes it alone in Eyemouth

(By Rob Adams)
Scottish guitarist Nigel Clark plays a rare solo gig back in his home country when he appears at Eyemouth Hippodrome, just north of the Bebop Spoken Here heartlands on Saturday, March 11.
Currently based in Dublin, Clark spends much of his time these days touring with Dutch violinist Tim Kliphuis’s trio and has just released an album, Confetti Falling in the Rain, with the Irish singer Colette Cassidy.
“I really enjoy working with Tim and Colette but there’s something I particularly like about being alone with an audience,” says Clark who began playing professionally at the age of eighteen and played with 1980s chart-toppers Hue & Cry and soul singer Gloria Gaynor before following his hero, John McLaughlin into jazz and jazz-rock.

“The stories behind the tunes in the jazz repertoire are often almost as compelling as the melodies and harmonies that shape them and it’s much easier to share anecdotes from the stage when you don’t have two or three other musicians kicking their heels, waiting for you to shut up and play!”
From gigs with his own band, which included saxophonist Tim Garland and pianist Brian Kellock, Clark went on to accompany singer Carol Kidd and after signing with New York label Arkadia Records he found himself playing guitar festivals in a band comprising eleven of Europe’s top players including Jan Akkerman, Terje Rypdal and Wolfgang Muthspiel.
It was with his first album for Arkadia, Grand Hotel Europa, that Clark made the permanent switch from electric to acoustic nylon strung guitar, finding the latter a more personal means of expressing himself. He subsequently formed a duo with Belgian guitar legend Philip Catherine and when, in 2007, Tim Kliphuis was looking to move beyond the “Dutch Stephane Grappelli” description that had helped to establish him, he found Clark’s readiness to play anything from a Scottish traditional tune to the Mahavishnu Orchestra’s The Dance of Maya an inspiration.
Clark recorded a solo album, Under the Stars, in 2012 and its arrangements of standards such as Body & Soul and All the Things You Are form the basis of his set list.
“I include one or two rock and pop songs, Santana’s Samba Pa Ti and maybe a Beatles song or two, because I like playing them but also because audiences might not always be familiar with other tunes I play, like Joe Pass’s Paco de Lucia, for example, and they can help to break the ice.”

Rob Adams.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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