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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm. CANCELLED!
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Wednesday, November 09, 2016

Jazz North East ‘On the Outside’: Hans Peter Hiby Trio @The Bridge Hotel, Newcastle – November 6.

Hans Peter Hiby (tenor, alto & soprano); Mick Bardon (bass); Paul Hession (drums)
(Review/photos courtesy of Ken Drew)
Tremendous!!  This was the last of a four part mini-tour by the group, taking in Scotland and the Midlands and leaving the best till last for their final performance at the Bridge Hotel.   And what a blast – still full of such brutal energy, constantly driving power and a raw attack associated with the likes of Peter Brötzmann whom I’d seen over a decade ago, yet the Hans Peter Hiby performance tonight seemed so much more considered and accessible to me.

Hiby/Hession have played throughout Germany as well as Switzerland, Austria, Belgium and the Netherlands and on occasions augmented the duo with bass players Marcio Mattos, Roberto Bellatalla, Peter Kowald and recently Dieter Manderscheid.   Paul Hession is such a sympathetic partner on drums since Hiby has worked with him on and off since the mid-‘80s, often just as a duo.  For this short UK tour, Leeds-based bass player Michael Bardon completes the trio. He has played throughout the UK and Europe including festivals in Sardinia, Germany, Italy and Poland and his dynamic playing is the perfect fit for this trio.  So the addition of Bardon presented opportunities of greater interaction and dynamic variety across the group, producing a performance that combined high octane power with many moments of thoughtful and carefully crafted subtlety.  

And what a performance.  They hit the ground running.  It was immediately apparent that the key elements would be hugely energetic and thrilling, yet was soon to be intertwined with nicely contrasting melodic sections at a slower, albeit temporary pace.   All pieces in the concert were mined a similar vein, yet each developed and flowed differently – each having its own personality and mood.
It was not just Hiby on the sax simply producing the notes, but his gentle swaying and occasional thrusting of the sax into the air all added to the final delivery of an extraordinarily energetic performance.   It was not just an energetic delivery, but vibrant, screaming, flowing, thrilling, pounding, soaring, swirling, gesturing, grovelling, altogether coaxing the sound out of the sax and into the room.  And what a space this is for such an acoustic performance.  Hiby afterwards, as others have in the past, commented on the joy of playing in this space.

Was the sax driving the others, or maybe it was the drums driving the others ….. or maybe they took turns, who knows ?  The resultant sound of the sax produced by Hiby had a generally soft but very confident and strident delivery, rarely whispering, but more often tonally pure.  But occasionally a harsher Brotzman-like sound pushed it further into a split-tone producing complex harmonics, perfectly supported and followed by the others.

Motian’s facial expression changed very little throughout.  Admittedly,  his eyes closed once in a while to aid concentration, and occasionally looked across at Hiby and Bardon to assess the next area of exploration. But generally all of Motian’s expressions were in his musical output – conservation of energy and all that to power the continuous onslaught from the drum kit.  And Bardon’s contribution was equally full of vigour and drive.

The result?  It was Brotzman-like power jazz, industrial strength improv and a very memorable performance at that.  Aptly given on November 6 – indoor pyrotechnics were the norm.  Tremendous.

Ken.

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