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Bebop Spoken There

Donald Harrison: "Eddie [Henderson] can play the hardest music effortlessly; things people are afraid of he plays like it's nothing."- (DownBeat, January 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13862 (and counting) posts since we started blogging 13 years ago. 81 of them this year alone and, so far, 81 this month (Jan. 25).

From This Moment On ...

January 2022

Thu 27: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 27: Tobias Sarra & John Garner @ Cobalt Studios, Newcastle. 7:00pm .
Thu 27: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 27: Knats’ Night: Knats + Swannek @ Hoochie Coochie, Newcastle. 7:30pm. Free.
Thu 27: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm. CANCELLED! .
Thu 27: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 28: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 28: Ian Millar & Dominic Spencer @ Bishop Middleham Village Hall, Ferryhill. 8:00pm. £10.00.
Fri 28: Struggle Buggy @ The Globe, Newcastle. 8:00pm. Blues band.CANCELLED!

Sat 29: Lindsay Hannon & Martin Douglas @ Cobalt Studios, Newcastle. 2:00pm. Life Drawing & Live Music. Enrol at: www.cobaltstudios.co.uk.
.Sat 29: Anarchy Brew Co. 10 Year Birthday Beer Bash @ Anarchy Brew Co, Benfield, Newcastle. £6.00. All day event. Line-up inc. Washboard Resonators (5:00-6:30pm). Tickets: www.ticketweb.uk.

Sun 30 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 30: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 30: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 30: Hot Club du Nord @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 31: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

February 2022

Tue 01: East Coast Swing Band @ East Bedlington Community Centre. 10:00am - 12 noon. Rehearsal session (open to the public).

Wed 02: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 02: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 02: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 02: Four @ The Exchange, North Shields. 7:00pm.
Wed 02: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 03: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 03: Bradley Creswick’s Western Swingfonia @ LIVE Concerts at Home. 1:15pm. A Newcastle University online only event.
Thu 03: John Williamson Trio @ Durham University (Music Dept.). 7:30pm. £5.00.
Thu 03: Chris Farlowe w Norman Beaker Band + Teresa Watson Band @ Newcastle Labour Club. 7:30pm. An evening of rhythm & blues.
Thu 03: Knats @ Daniel Farm Shop & Tea Rooms, Wylam. 8:15pm. £18.00. (inc. food from 7:00pm). A Wylam Winter Tales Festival event. SOLD OUT!
Thu 03: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 03: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Thursday, November 03, 2016

CD Review: Stuart McCallum & Mike Walker - The Space Between

Stuart McCallum (acoustic guitar, electronics), Mike Walker (electric guitar).
Tracks 1,3,6,7: Laura Senior, Gemma South (violins), Lucy Nolan (viola), Peggy Nolan (cello).
(Review by Steve T)
I'm already familiar with Mike Walker in the excellent Impossible Gentlemen and he's amazing. Not (knowingly) familiar with Stuart McCallum but, in a different way he's equally amazing, at least insomuch as they play different guitars here. In fact he's one of the most complete, precise acoustic guitarists I've heard in a long while, with none of the squeaking and sliding so many are prone to.
The album title celebrates what's not played as much as what is. The fast fingers seem to have fallen out of fashion again, perhaps as a local guitar teacher told me that everybody's a virtuoso nowadays or, as one non-guitarist musician said to me, 'guitarists play fast, that's what they do'.

Walker at least can play as fast as you like but here they're exploring the spaces and demonstrating taste as well as that abstract, enigmatic, subjective notion of 'soul.'
Two guitars and electronics sounds like a recipe for 'mood music' and 'ambient soundscapes' and there's plenty of that here but much more besides.
I believe the songs of Bacharach/ David to be the most likely contender for a latter day inclusion in the Great American Songbook. With Bob Dylan, the mismatch between music and myth is too stark and two of his best were comprehensively Hendrixed more or less on release, and for my generation Bobs greatest contribution was convincing Hendrix it didn't matter that he wasn't a great singer.
Moreover, the songs of genre writers like Curtis Mayfield, Dan Penn and Holland, Dozier Holland, were already transformed beyond mere catchy pop songs, now recognised as a skill in itself though it still takes thirty years for them to be recognised. 
Like the Gershwins and Cole Porter before, the likes of Miles and Gil or Frank and Nelson respectively got hold of them, Bacharach/David songs encapsulate an impersonal neutrality which renders them rife for interpretation.
Two of the North Easts' leading guitarists - James Birkett and Bradley Johnson - have performed and recorded Alfie to great affect but the version here scores from the interplay between acoustic and electric.
Moment Us takes me back to Earl Klugh before he became 'smooth' Jazz or at least before it became a dirty word, and The Yewfield sounds like he's been joined by his old mentor and regular collaborator George Benson.
Some Debussy and, as one of only half a dozen or so classical composers I ever listen to, it's always welcome.
The title track sounds like something Pink Floyd would have recorded but with keyboards and benefits enormously from the string quartet, sounding to me like a full orchestral string section.
Best track is saved until the end which McCallum holds on acoustic, some wood-slapping and simultaneously reminiscent of McLaughlins immense acoustic trios and his Indian Fusion band Shakti, raising tension to fever pitch, particularly on repeated listens when you anticipate the arrival of Walker, plugged in and turned up for the first time, but you don't quite know when it's going to happen.
An album of many moods and great contrasts comprising a very satisfying whole.  
Steve T.

Release date: November 25 on Edition Records.

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