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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14454 (and counting) posts since we started blogging 14 years ago. 732 of them this year alone and, so far, 30 this month (August 11).

From This Moment On ...

August

Thu 18: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 18: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 18: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 18: Newcastle Jazz Festival @ Bridge Hotel, Newcastle. Strictly Smokin’ Big Band. 7:00pm. Free (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Guests: Dave Archbold (keys); Dan Johnson (sax); Josh Bentham (sax); Bill Watson (trumpet); Ron Smith (bass)

Fri 19: Jo Harrop & Jamie McCredie @ Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 19: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri. 19: Vieux Carré Jazzmen @ Ayr Jazz Club, Fairfield House Hotel, Fairfield Rd, AYR KA7 2AS. 7:30pm. For accommodation call the hotel on 01292 267461. For tickets call Ayr Jazz Club Secretary, Stuart McLean, on 01292 590773.
Fri 19: Jo Harrop & Jamie McCredie @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 19: Newcastle Jazz Festival @ Black Swan, Newcastle. 7:30pm. Harry Keeble Duo + Northern Monkey Brass Band. £15.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Fri 19: Mo Scott @ The Millstone, South Gosforth, Newcastle. 8:00pm. Scott w Gary Dunn, Neil Harland & Paul Smith.

Sat 20: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Riviera Effect + Alter Ego + Graham Hardy Quartet + Jo Harrop & Jamie McCredie + Ivo Neame Quartet. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sat 20: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).
Sat 20: Boys of Brass @ Brandling Villa, South Gosforth, Newcastle. 8:00pm.

Sun 21 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 21: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Lindsay Hannon & Alan Law + Knats + David Gray’s Flextet + Ben Gilbert Trio + Emma Rawicz. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sun 21: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.

Mon 22: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 23: FILM: Space is the Place @ Tyneside Cinema, Newcastle. 6:25pm. Dir. John Coney (1974). Starring Sun Ra!
Tue 23: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (to reserve a table phone 0191 386 5556).
Tue 23: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Steve Glendinning, Paul Grainger, Abbie Finn.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 24: 4B @ The Exchange, North Shields. 7:00pm.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Monday, November 14, 2016

Greg Abate & Paul Edis @ Gala Theatre, Durham - November 11

Greg Abate (alto); Paul Edis (piano)
(Review by Brian Ebbatson/Photo courtesy of Jerry Edis/Collage courtesy of Brian Ebbatson)
Friday lunchtime at the Gala in Durham and an audience of 100 await expectantly the return of New England reedman/flautist Greg Abate and Northeast keyboardist Paul Edis. They launched straight into their programme of seven extended numbers and it was clear from the start that the prevailing spirit behind the music was Greg’s mentor and recording partner Phil Woods who passed away in September last year. Five of the pieces played were either from collaborations with Woods, from tributes to him, or tributes by Woods to fellow musicians.
They began with a favourite Abate opener, Jerome Kern’s All the Things You Are*, Greg stating the opening phrases on alto before launching into the melody and into an extended alto solo, Paul picking out chords and harmonies behind him, urging him on, before Greg hands over to Paul to plot his own path through the possibilities of the song. Greg came back with further elaborations on the theme culminating on a soaring and dipping finish.
The pace is slower for the next piece, The End of a Love Affair, which Greg features as a duet with Phil Woods on Kindred Spirits. Greg opens again but quickly Paul and he are taking lines in turn. As the solos develop a bluesy feel emerges, each player quoting parts of the theme as they develop their solos. They close with more exchanges before Greg finishes in a swirl from the bottom to the top of the register.
Between numbers Greg explained (if I heard him properly) that after visiting the North East last year he had left his flute on the tube in Glasgow. He had recovered it but because of the exigencies of his touring arrangements this year (he had left Cheltenham at 5.00am this morning and had to leave for Maidenhead early on Saturday) he had left it and his tenor at his Leicester base, a pity as his flute playing last year was exquisite.
On his 2015 CD Motif the flute features on the next number, his own composition Morning of the Leaves, a beautiful jazz waltz, Greg summoning up the mood of spring (or was it this autumn?) on his alto, quoting as we went along from Softly as the Morning Sunrise, Paul matching his lyricism on keys.
Greg now returned to Phil Woods and their recent joint CD (Woods’ last recording) Kindred Spirits, with Harold Arlen’s A Sleeping Bee, another beautiful melody. Greg begins with a delicate intro, a short bridge, then picks up the pace to introduce the full song line. Paul supports on piano as Greg stretches out once again with an intense but controlled solo, then Paul takes to over with his own explorations. Greg returns ranging to the lower registers before finishing on another bluesy, boppy flourish around the theme.
Greg reflected on the challenges of playing as a duet without bass and drums support, and how this helps reveal more from the material. Harder work for both, but perhaps a promise for even more exciting music at the Jazz Café in the evening with the full quartet.
Now the concert was in full swing and the final three numbers brought the audience to repeated rapturous applause. Greg jogged Paul’s memory with the chords and riffs of Charlie Parker’s Yardbird Suite before they set off through Bird’s masterpiece. Brilliant solos from both, phrases traded, quotes from amongst other numbers prompted by their improvisations, The Lady is a Tramp. It felt as if this is what they had been building up to in all the previous numbers.
A ballad, Moonlight in Vermont followed. Paul opened improvising on the chords, Greg took the theme, Paul picks up on his suggestions and takes the melody forward, before both take long solos, again quoting from other songs prompted by their improvisations. It’s as if they are picking up ideas from deep in their imagination and knowledge of the music, a sort of collage that had me musing of George Braque pictures or Kurt Schwitters assemblages.
The final number was Cedar’s Blues, another piece from Kindred Spirits, a tribute by Phil Woods to Cedar Walton. It’s a good paced blues, space for striding piano and almost funky alto, perhaps derived from Greg’s time with Ray Charles. Both players are clearly enjoying themselves, throwing phrases back and forth to each other as they develop the piece. Paul’s solo reminds me again of Horace Silver or was it Wyn Kelly? They come back to what we think is the final phrase, then suddenly Greg morphs the piece into Blue Monk, both stretch the theme out with lengthy solos building up to as real climax as Greg returns to Cedar’s Blues for a long drawn out swirling finish.
Brian E
*(Greg can be heard playing All the Things You Are here.


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