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Bebop Spoken There

Donald Harrison: "Eddie [Henderson] can play the hardest music effortlessly; things people are afraid of he plays like it's nothing."- (DownBeat, January 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13862 (and counting) posts since we started blogging 13 years ago. 81 of them this year alone and, so far, 81 this month (Jan. 25).

From This Moment On ...

January 2022

Thu 27: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 27: Tobias Sarra & John Garner @ Cobalt Studios, Newcastle. 7:00pm .
Thu 27: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 27: Knats’ Night: Knats + Swannek @ Hoochie Coochie, Newcastle. 7:30pm. Free.
Thu 27: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm. CANCELLED! .
Thu 27: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 28: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 28: Ian Millar & Dominic Spencer @ Bishop Middleham Village Hall, Ferryhill. 8:00pm. £10.00.
Fri 28: Struggle Buggy @ The Globe, Newcastle. 8:00pm. Blues band.CANCELLED!

Sat 29: Lindsay Hannon & Martin Douglas @ Cobalt Studios, Newcastle. 2:00pm. Life Drawing & Live Music. Enrol at: www.cobaltstudios.co.uk.
.Sat 29: Anarchy Brew Co. 10 Year Birthday Beer Bash @ Anarchy Brew Co, Benfield, Newcastle. £6.00. All day event. Line-up inc. Washboard Resonators (5:00-6:30pm). Tickets: www.ticketweb.uk.

Sun 30 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 30: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 30: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 30: Hot Club du Nord @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 31: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

February 2022

Tue 01: East Coast Swing Band @ East Bedlington Community Centre. 10:00am - 12 noon. Rehearsal session (open to the public).

Wed 02: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 02: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 02: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 02: Four @ The Exchange, North Shields. 7:00pm.
Wed 02: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 03: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 03: Bradley Creswick’s Western Swingfonia @ LIVE Concerts at Home. 1:15pm. A Newcastle University online only event.
Thu 03: John Williamson Trio @ Durham University (Music Dept.). 7:30pm. £5.00.
Thu 03: Chris Farlowe w Norman Beaker Band + Teresa Watson Band @ Newcastle Labour Club. 7:30pm. An evening of rhythm & blues.
Thu 03: Knats @ Daniel Farm Shop & Tea Rooms, Wylam. 8:15pm. £18.00. (inc. food from 7:00pm). A Wylam Winter Tales Festival event. SOLD OUT!
Thu 03: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 03: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Tuesday, November 15, 2016

Kandace Springs @ Rich Mix, Bethnall Green. EFG London Jazz Festival - November 13.


 Kandace Springs (vocal, piano), Jesse Harris (acoustic guitar, vocal), Jesse Beadenberg (acoustic bass), Dylan Tracey (drums).  
(Review by Steve T)
Some readers, including some in the North East, will have seen her support Gregory Porter. Everybody who's seen Gregory Porter, whenever they saw him, tends to think they caught him just in the nick of time, before he cozied up to Jools and the rest of the BBC, playing Glastonbury and generally becoming part of the establishment. I saw him at Cheltenham in 2013 so I didn't see him at Sage Gateshead and haven't seen Kandace.
I was convinced her album was on the revitalised Stax label, so when I read she's on Blue Note I dug the album out and it was. In my defence, the two labels are comparable within soul and Jazz respectively, and it's impossible to say categorically whether she's one or the other, and does it actually make any difference anyway? For what it's worth I think she's a soul singer, but every soul singer comes, at least in part, from Jazz and the best Jazz singers come from the more soulful end of things.
She's less 'down home' than Tasha (daughter of Johnnie) Taylor and less hip-hop than Angie Stone, probably the greatest soul singer of the last quarter century, who turned up on Stax.
Her album Soul Eyes doesn't take your breath away like some debuts but shows great promise for the future. For anyone who knows their soul, think Brenda Russell and if not, Roberta Flack is near enough.
Little Mix is a small venue where Jambone played last year, and this was one of the first gigs of the festival to sell out, prompting her to add another date.
The room was set theatre style and when she arrived on stage and immediately sat at a grand piano stage right, a large number of the audience couldn't see her at all. Some of us made for the far wall securing a rear view which was better than none.
You know you're on to something when the live voice is better than the record. With bass and drums and key songwriter, acoustic guitarist and occasional vocalist Jesse Harris joining them intermittently, his singing affording us an opportunity for a comfort break, she served up confident, accomplished versions of most (perhaps all) of her album, some Oscar Peterson, some Chopin, some Duke, some Norah Jones, some Prince and Someone to Watch Over Me. 
Highlight for me, unsurprisingly, was her fine version of the War classic World is a Ghetto, though their own instrumental remake is better and the Benson version remains the best.
Apparently, she ends every show with Roberta Flack’s The First Time Ever I Saw Your Face and if anybody hasn't seen the Clint Eastwood film Play Misty for Me, you will not be disappointed.  
Etta James At Last as an encore and I don't think she could have pitched it better, the audience lapping it up.
This particular gig wasn't the main reason for this trip to London, the expense and hassle on older, broader, shoulders, but was a fine taster. She warned us not to forget the K or we wouldn't find her. Nobody who's seen her is likely to forget the K and I think we'll be hearing a lot more from her in the coming years.
Steve T.

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