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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, September 17, 2016

Jazz Co-op @ The Globe: Not Now Charlie: Sept 15

Jamie Toms (tenor sax); Pawel Jedizejewskl (guitar); Richard Campbell (piano); Liam Gaughan (bass guitar); Dave McKeague (drums).
(Review by Ann Alex/photo from BSH archive).
I went to hear this band after liking their sound on a YouTube link on BSH and I certainly wasn’t disappointed. 
Their website, www.notnowcharlie.com  quotes influences from jazz, rock, pop etc: add to that what I detected, which was folk and classical, the latter mostly from the piano and the former from the second tune of the gig, with the delightful Di Dum sharp snapping sound beloved of bagpipers – I think it’s called a ‘Scotch Snap’.
The gig was to launch their CD Nostalgia Revisited so most of the tunes played were from the CD, all written by Jamie Toms and very ably arranged by the band. Titles were such as MCT; It’s Not Me, It’s You; Potters Wheel. There may have been a tune called Floating Hills and another titled Telling Tales, but I missed most of the titles as they were announced without a microphone in the large downstairs bar, so I couldn’t quite make speech out – my only complaint.
How to describe the music? Very tuneful and adventurous, some tunes reminded me of the extended complex almost-anthems of 1970’s prog rock. Other tunes were episodic to my ears, batches of music in the same item which changed rhythm and theme, yet still held together as one. A typical offering had a very tuneful sax lead to start, then the sax and guitars playing interweaving lines, with lightly brushed drums, then quite suddenly it all ends, just when you expect it to continue a little longer. It’s Not Me It’s You is an amusing title as it’s the opposite of what people are supposed to say when they are ending a relationship diplomatically, and the tune was quite quarrelsome, if a tune can convey such, beginning with general busyness from all the instruments, then a lone bass with rattles on the drums, louder drums, a drum solo over the bass, and big angry chords to finish. Plenty of room for improvisation in solo spots, although such solos were not so formally ‘placed’ as they would be during a swing number.
I don’t know if I’ve described the music as well as it deserves, so why not buy the CD and hear it all for yourself, a snip at only £8? I just wish they could have had a larger audience, which they certainly deserved.
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance