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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Wednesday September 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Alexys de Alfaro - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

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CANCELLED

Archipelago + Freese Trio - Bobik's, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. Tel: 0191 284 0490. 7:30pm. £5.00.

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Levee Ramblers NOJB w. Jim McBriarty (clarinet) & Bob Wade (trumpet) - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm. £3.00.

Blues/Folk

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, September 06, 2016

CD Review: The Girshevich Trio - Algorithmic Society .

Vlad Girshevich (Piano, Synthesizers); Eddie Gomez (bass); Aleks Girshevich (drums)
(Review by Steve T)
Played this a couple of times a couple of weeks ago, then became distracted by leafleting, attending and reviewing Ushaw, before coming back to it, which can be an interesting exercise to see how much you've retained.
It's a piano trio but lets you know straight out there's also strings, though not on all tracks.
As with reggae and blues, there's much debate as to how successful this can be. John Holt tried it with reggae and the jury is still out, though it didn't catch on. It's broadly agreed that BB Kings' Thrill is Gone was a success but again, it hasn't caught on. Others will have better and more contemporary examples in Jazz, but Bird and Wes are obvious ones, with both generally deemed unsuccessful.  
My first encounter was the Ramsey Lewis album Legacy with one side (vinyl/cassette) Jazz Funk and the other an attempt to marry Jazz with classical music. At the time I loved it, as did a good friend of mine, but I hadn't yet found Cecil Taylor and acoustic Herbie, nor Stravinsky and Shostakovich. I heard it again recently and still quite liked it.
This album works really well and I found myself consciously listening for the presence of strings, the fusion seeming so seamless.
I read the notes after the first couple of plays and, when they referred to the Baroque influence specifically, I thought I needed to brush up on my Bach (not). However, when I came back to it, I had put this out of my mind but distinctly recognised 'old' classical music, particularly on Far Away Place and, with Gomez' bowed bass sounding distinctly like a cello on Song of an old Tree.
Unsurprisingly, classical piano came first for the leader before he discovered Jazz, and number one son and I both came up with Bill Evans, though neither of us are as familiar with his solo stuff as we should be. I also heard Chick Corea, particularly the classical leanings of the Jazz Rock version of Return to Ever. I'll also hazard an educated(ish) guess at Keith Jarrett though I'm probably as familiar with his solo stuff as I wish to be. 
It's a strong album, recommended to anyone with a penchant for Jazz piano, irrespective of their view on strings, however, the real miracle is his twelve-year-old son on drums. With Mathew and Abbie, we're well accustomed to 'special' young drummers around these parts, but this kid is incredible.
Also recommended to drummers everywhere, it's out now on Tapestry Records.


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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance