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Bebop Spoken There

Brian Dee: "I feel my generation had one advantage over today's players in that we were not musically educated in colleges, so we all sounded different. I could tell who it was just by the sound." - (Jazz Rag, Summer 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

11,783 (and counting) posts since we started blogging 12 years ago. 1023 of them this year alone and, so far, 50 this month (Sept. 17).

Coming soon ...

SEPTEMBER

IT IS ADVISABLE TO CHECK IN ADVANCE WITH THE VENUE THAT THE GIG IS ON

SATURDAY

Happy Birthday Katy Trigger & Mia Webb.

SUNDAY 20

Vieux Carre Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. Tel: 0191 691 7090. 12 noon. Free.

Riviera Quartet - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. A limited number of seats are available which MUST be bought in advance online. £7:50 or £5:45 live stream only.

THURSDAY 24

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. 0191 266 6173. 1:00pm. Free.

Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00pm - 10pm. Free. Note earlier start/finish.

Sunday, September 04, 2016

CD Review: Stu Brown's Twisted Toons Vol 2 - The Music of Scott Bradley and more

Stu Brown (dms, perc etc.); Daniel Peterson (vln); Tom MacNiven (tpt/ slide tpt/ lap steel gtr); Emma Roche (fl/picc); Brian Molley (ten/clt/fl); Martin Kershaw (clt/bs clt/alt); Paul Harrison (keys etc.); Mario Caribe (bs); Allan McKeown (gtr/uke).
(Review by Lance).
This one slipped under the radar - released in June - but, in truth, upon belatedly catching up, this didn't cause me to lose any sleep other than to lie awake pondering the question,'Why?'
Based on the wacky soundtracks behind those immortal cartoon characters such as Daffy Duck, Bugs Bunny, Road Runner, Tom and Jerry et al, Brown has scored them to suit his team. That he does it brilliantly is unquestionable, where it falls down is that we don't have the visual images to go along with the music. Together, they are omnipotent but isolated they ain't.
There are moments, Tom MacNiven's trumpet takes it forward in time, and the others show but, much as I love the idea and the execution, to sum up - Sufferin' succotash!
Lance.

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