Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18395 (and counting) posts since we started blogging 18 years ago. 259 of them this year alone and, so far this month (Mar. 30 ), 69

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: King Bees @ Billy Bootleggers, Newcastle. 7:00pm (doors). Free. Chicago blues.

Thursday, September 22, 2016

CD Review: Joshua Breakstone - The Cello Quartet: 88

Joshua Breakstone (gtr); Lisle Atkinson (bs); Andy Watson (dms); Mike Richmond (cello).
(Review by Lance).
As the review copies arrive in ever increasing numbers I'm enveloped in guilt. My postman is already bent and withered, and he's only a young man. The cat trembles at the sound of the combination of CDs  and Tandoori takeaway/pizza menus that land on the doormat.
I classify the discs - vocals for Ann or Debra; familiar contemporary. names for Russell; slightly outré for Hugh; ultra outré for Steve H and a combination of the lot for Steve T - particularly if there is a guitar in the mix. The rest are pigeon - holed for whichever charity shop I like least. Then there are the ones I know will hit my car stereo.
This is just such a one.
Breakstone is my kind of guitarist - like he swings! Not only that, Mike Richmond on cello also swings and cellos aren't noted for their  jazz pendulum qualities!
Superb playing on compositions by some of the best of the first and second generation of bebop masters. Harold Mabern's The Chief; Sonny Clark's' News For Lulu; Cedar Walton's Black; Soul Eyes from the pen of Mal Waldron; An original by Breakstone; Eighty-Eight; Elmo Hope's Moe Is On; Lolita by Barry Harris; Tadd Dameron's sumptuous If You Could See me Now and Lennie's Pennies - a piece composed by Lennie Tristano and guitarist Billy Bauer, probably back in the early 1950s.
Breakstone does the composers proud. Fluent hornlike soloing interspersed with rich chordal passages mark down Breakstone as a born again Christian [Charlie].
Richman, as I've remarked in previous reviews, occupies the area 'twixt guitar and bass and I'd have loved, by way of contrast, to have heard some bowed cello solos. The rich tonal qualities of the instrument are less obvious in pizzicato mode. Nevertheless, all that aside, this is still a very listenable disc and I know it will be played again and again even though I've now got Jazz FM on the car stereo - in fact, particularly because I've now got Jazz FM on the car stereo!
Available October 21 on Capri Records.
Lance.

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