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Bebop Spoken There

Jeremy Pelt: "In my experience, the hottest player on the scene is almost always the most annoying motherfucker on the scene because they know that they're hot." - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Sunday May 19

Afternoon

Jazz

Anth Purdy: Swing Jazz Guitar - Blyth Battery, The Links, Blyth NE24 3PQ. 10:00am-4:00pm. Free. 'Blyth Battery Goes to War Weekend'.

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

Alice Grace & Ben Helm - Bonbar, Fenkle St., Newcastle NE1 5XU. Tel: 0191 232 8695. 1:30pm.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free. Jam session with house trio (James Harrison, piano).

Blues

Memphis Cruisers - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 3:00pm. Free.

Archie Brown & the Young Bucks - The Schooner, South Shore Road, Gateshead NE8 3AF. 5:00pm. Free.

Evening

Jazz

Sue Ferris Quintet - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Blaydon Jazz Club.

Philip Clouts Quartet - The Globe, Railway St., Newcastle NE4 7AD. 7:30pm. £10.00 (£7.00 student).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, August 08, 2016

Jazz Co-op @ The Globe: The Mark Williams Trio: August 6

Mark Williams (guitar); John Pope (bass); Russ Morgan (drums)
(Review by Ann Alex/photo from archives)
Another brief report, and my excuse, this time, is that I had to leave early as I’d been working hard at the Globe Summer Workshop that day. Perhaps I’ll get sacked from BSH for lackadaisickalness, but I can’t be, because there’s no such word.

The band started fast and loud and well on the money, as Russell would say, with what I’d call a wall of sound from the drums, fast full drumming which makes sense and is magically well skilled. Mark was soon up at the dusty end of the guitar with high notes, solos from guitar and bass, playing an original, but I didn’t catch the name.  Then came Keep Me In Mind, a contrasting smooth strong tune, brushed drums, riffs of The Girl From Ipanema and then some hand-drumming from Russ.   Chic Corea’s Windows followed, a tricky tune with a drum solo, then a mellow meditative slow tune, Old Folks. And alas I wanted more but I would have been too tired to appreciate the second set, so off I  reluctantlywent.  Well done lads!

Ann Alex

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