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Bebop Spoken There

Andrew Hadro: "It seems to me that everybody just puts out an album, they go through the motions, spend the money and they just sort of throw it out there into the sea of CDs and hope something comes back" - (DownBeat June 2018).

Jonnathan Blake (Blindfold Test): “Maybe it's someone from New Orleans who has lived in New York for a minute.” (DownBeat June 2018).

Today Friday May 25

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Swing Manouche - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening

Jerron ‘Blind Boy’ Paxton - Sage Gateshead. 7:45pm. £15.30. NRFH. Solo blues, multi-instrumentalist, influences include Fats Waller & Blind Lemon Jefferson.

Shatner’s Bassoon - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:00pm. £8 (£6 in advance).

Hand to Mouth (Lindsay Hannon & Bradley Johnston) - Vicolo: Live in the Lane, Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. 8:00pm. Free.

Baghdaddies - Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. Online booking: £10.00. + £1.37 booking fee. The Whitley Bay Carnival ‘Big Ball’ featuring debut of the Baghdaddies’ big band line-up.

Nick Pride & the Pimptones - Cumberland Arms, James Place Street, Byker, Newcastle NE6 1LD. Tel: 0191 265 6151. 6:00pm. Free.

Swamp Hoppers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, August 19, 2016

CD Review: Fred Hersch Trio - Sunday Night at The Village Vanguard

Fred Hersch (piano); John Hébert (bass); Eric McPherson (drums).
Review by Dave Brownlow.
Hersch, rightfully acknowledged as one of today’s jazz masters is, like good wine, maturing with age! His choice of challenging material inspires himself and his cohorts to enthusiastically respond with vitality and sensitivity – especially, here, in the freer atmosphere of  this March 2016 session at The Village Vanguard NYC, scene of so many classic recordings.

Rogers and Hammerstein’s A Cock-eyed Optimist (an unusual vehicle for a jazz group), after an ‘impressionist’ intro, bounces cheerfully along, yes, even optimistically, with Fred spinning long lines in the upper registers of the piano.
Serpentine, the first of four originals, is a minor-keyed piece in an out-of-tempo ‘free’ style where all three contribute equally.
The Optimum Thing based on the chord changes of Irving Berlin’s The Best Thing For You opens at a brisk tempo then accelerates to a gallop. (On other nights, I’m informed, it decelerates!) This contrafact is a similar idea to Lee Konitz’ SubconsciousLee which uses Cole Porter’s What Is This Thing Called Love for its chordal base.
Calligram - an avant-garde piece dedicated to French pianist Benoit Delbecq who writes his scores in graphics. Clusters of atonal notes á la Cecil Taylor, and seemingly unconnected, lines of music abounding. McPherson’s drums clatter away in the background in the Elvin Jones style - Make of it what you will!  Blackwing Palomino (the name of a brand of pencil) is Hersch’s fourth original. A cleverly-chorded bluesy piece which swings along with a logically developed piano solo and great support from bass and drums. Again, McPherson is prominent throughout with a constant commentary of stylish rhythm.
Lennon and McCartney’s For No One is given a slow rendition far removed from the Beatles’ own take. Hersch knows the sad lyrics about a breakup and delivers a performance which draws a sympathetic response from the audience.
Kenny Wheeler’s Everybody’s Song But My Own is a wonderful tribute to the trumpeter who died last year. This is a song which everyone seems to know because it is based on a musical device known as ‘The Circle Of  Fifths’ which has been used by composers from time immemorial. Kenny Wheeler’s title ironically points this out !
Jimmy Rowles’ The Peacocks is a ballad the melody of which uses many chromatic intervals and is difficult to play – that’s why it’s not often heard. The trio gives a masterly performance with some shimmering interplay between the keyboard and percussion – one of the highlights of the album.
Fred Hersch always closes a set with a Monk piece – this time it’s We See which bounds along with impish humour. His own chordal choices show respect for the original, amply enhancing the performance to great audience reaction.
Valentine is the unaccompanied encore. This is quite an exquisite melody (to which Norma Winstone added some powerful lyrics on a previous duo setting) given a simple but emotional performance by the pianist to round off another great CD.
Overall then, a fine album with nods to the past, present and future
Available now from Palmetto-Records.com or Amazon or download it from itunes.
Dave Brownlow

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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