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Bebop Spoken There

Art Blakey: "You [Bobby Watson] don't want to play too long, because you don't know they're clapping because they're glad you finished!" - (JazzTimes, Nov. 2019)..

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15867 (and counting) posts since we started blogging 15 years ago. 874 of them this year alone and, so far, 72 this month (Sept. 25).

From This Moment On ...

September

Thu 28: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 28: Alice Grace Quartet @ King's Hall, Newcastle University. 1:15pm. Free.
Thu 28: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm. All welcome.
Thu 28: Faye MacCalman + Snape/Sankey @ Cobalt Studios, Newcastle. 7:00pm.
Thu 28: Zoe Rahman @ Jesmond United Reformed Church, Jesmond, Newcastle. 7:30pm. A Newcastle Festival of Jazz & Improvised Music event.
Thu 28: '58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Speakeasy @ Queen's Hall, Hexham. 7:30pm. £15.00. A Southpaw Dance Company presentation. Dance, audio-visuals, Count Basie, Benny Goodman, swing dancers etc.
Thu 28: Mick Cantwell Band @ Harbour View, Sunderland. 8:00pm. Free. Ace blues band.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.

Sat 30: John Pope Quintet + Late Girl + Shapeshifters @ Bobik's, Jesmond, Newcastle.
Sat 30: Papa G's Troves @ Prohibition Bar, Newcastle. 8:00pm. A 'Jar on the Bar' gig.

OCTOBER

Sun 01: Smokin' Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 01: Dulcie May Moreno sings Portrait of Sheila @ Central Bar, Gateshead. 2:00pm. £10.00. Moreno sings Sheila Jordan with Giles Strong, Mick Shoulder & John Bradford.
Sun 01: Middlesbrough Jazz & Blues Orchestra @ Saltburn Community Hall. 2:00pm.
Sun 01: The Easy Rollers @ Prohibition Bar, Newcastle. 7:00pm. £13.70., £11.55.
Sun 01: Brand/Roberts/Champion/Sanders @ Blank Studios, Newcastle. 8:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Sun 01: Papa G's Troves @ The Globe, Newcastle. 8:00pm.

Mon 02: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 02: FILM: Wattstax; 50th Anniversary @ Forum Cinema, Hexham. 8:00pm.

Tue 03: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.
Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. House trio: Michael Young (piano); Paul Grainger (double bass); Paul Wight (drums).

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 04: Paul Skerritt @ Vespa Italian Bar & Steakhouse, Primrose Hill, Jarrow. From 7:00pm. To book a table - 0191 483 3355.
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Friday, August 19, 2016

CD Review: Fred Hersch Trio - Sunday Night at The Village Vanguard

Fred Hersch (piano); John Hébert (bass); Eric McPherson (drums).
Review by Dave Brownlow.
Hersch, rightfully acknowledged as one of today’s jazz masters is, like good wine, maturing with age! His choice of challenging material inspires himself and his cohorts to enthusiastically respond with vitality and sensitivity – especially, here, in the freer atmosphere of  this March 2016 session at The Village Vanguard NYC, scene of so many classic recordings.

Rogers and Hammerstein’s A Cock-eyed Optimist (an unusual vehicle for a jazz group), after an ‘impressionist’ intro, bounces cheerfully along, yes, even optimistically, with Fred spinning long lines in the upper registers of the piano.
Serpentine, the first of four originals, is a minor-keyed piece in an out-of-tempo ‘free’ style where all three contribute equally.
The Optimum Thing based on the chord changes of Irving Berlin’s The Best Thing For You opens at a brisk tempo then accelerates to a gallop. (On other nights, I’m informed, it decelerates!) This contrafact is a similar idea to Lee Konitz’ SubconsciousLee which uses Cole Porter’s What Is This Thing Called Love for its chordal base.
Calligram - an avant-garde piece dedicated to French pianist Benoit Delbecq who writes his scores in graphics. Clusters of atonal notes á la Cecil Taylor, and seemingly unconnected, lines of music abounding. McPherson’s drums clatter away in the background in the Elvin Jones style - Make of it what you will!  Blackwing Palomino (the name of a brand of pencil) is Hersch’s fourth original. A cleverly-chorded bluesy piece which swings along with a logically developed piano solo and great support from bass and drums. Again, McPherson is prominent throughout with a constant commentary of stylish rhythm.
Lennon and McCartney’s For No One is given a slow rendition far removed from the Beatles’ own take. Hersch knows the sad lyrics about a breakup and delivers a performance which draws a sympathetic response from the audience.
Kenny Wheeler’s Everybody’s Song But My Own is a wonderful tribute to the trumpeter who died last year. This is a song which everyone seems to know because it is based on a musical device known as ‘The Circle Of  Fifths’ which has been used by composers from time immemorial. Kenny Wheeler’s title ironically points this out !
Jimmy Rowles’ The Peacocks is a ballad the melody of which uses many chromatic intervals and is difficult to play – that’s why it’s not often heard. The trio gives a masterly performance with some shimmering interplay between the keyboard and percussion – one of the highlights of the album.
Fred Hersch always closes a set with a Monk piece – this time it’s We See which bounds along with impish humour. His own chordal choices show respect for the original, amply enhancing the performance to great audience reaction.
Valentine is the unaccompanied encore. This is quite an exquisite melody (to which Norma Winstone added some powerful lyrics on a previous duo setting) given a simple but emotional performance by the pianist to round off another great CD.
Overall then, a fine album with nods to the past, present and future
Available now from Palmetto-Records.com or Amazon or download it from itunes.
Dave Brownlow

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