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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Thursday November 23

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:00pm. Free.

Evening.
Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE.

Group Theory - The Globe. 7:30pm. £5.00. Superb Durham University quartet. Dan Garel (alto), Tom Burgess (guitar), Dylan Purches (double bass) & Tristan Bacon (drums).

BABMUS - Jazz Café, Pink Lane, Newcastle NE1 5DW. 8:00pm. £3.00. (£2.00. concs.).

TBA – Railway, Wellington St., Gateshead. 8pm.

Tees Hot Club w. Kevin Eland (trumpet); Josh Bentham (sax); Ted Pearce (keys) - Dorman’s, Oxford Road, Middlesbrough TS5 5DT. 9:00pm. Free.

Skidoo 52: The Joint Is Jumpin’ - Boldron Village Hall, County Durham DL12 9RN. 01833 638210. 7:30pm. £9.00. adult, £20.00. family.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, August 03, 2016

Vieux Carré Jazzmen @ Crescent Club Cullercoats - August 3

(Review by Russell/photo of Teresa from BSH archives)
Wednesday at the Crescent Club, your regular date with the Vieux Carré Jazzmen. An indisposed Paul Gowland called for a suitable dep and old hand Derek Fleck answered the call to share frontline duties with the redoubtable Lawrence McBriarty. The rhythm section rarely changes (no changes on this gig) so we heard bandleader Brian Bennett, Bill Colledge and Fred Thompson. Good weather at Cullercoats, good time jazz in the Crescent Club, your regular midweek date with the VCJ.
First things first; Brian Bennett began the session by praising Paul Gowland’s culinary skills…a home-made chicken curry Mr G’s signature dish, apparently. My Gal Sal got things underway musically speaking, Mandy, Make Up Your Mind followed and a Big Butter and Egg Man heard Fred Thompson singing. MC Bennett invited Miles Watson onto the stand to have a blow and sing a couple of numbers. Watson suggested he was Undecided. The Cullercoats Songstress Teresa Armstrong made up her mind, choosing Pennies from Heaven as her opening number. A false start and a sore throat could have put-off lesser performers, not Armstrong! She’ll be back next week fighting fit.
One-liners make a gig. As Armstrong vacated the stage, the Cullercoats Songstress was heard joking: This band makes me nervous! The interval raffle prizes went elsewhere. A Fats Waller number to restart, then drummer Thompson sang Blues My Naughty Sweetie Gave to Me. Not to be outdone, trumpeter Watson hit the heights on Carolina Moon with a cameo of a solo from bar stool bassist Bill Colledge. Friends in jazz Messrs Thompson and Watson were in perfect vocal harmony on Bourbon Street Parade. Derek Fleck has a ‘been-there-done-that’ look about him and this gig with the Vieux Carré Jazzmen held no fears. An accomplished player, be it clarinet or alto sax, Fleck breezed through it all. To end another Wednesday at the Crescent Club the band played Honeysuckle Rose (Watson vocals), Hindustan (the dulcet Thompson) and, all together now, Bye Bye Blackbird.            
Russell.
Derek Fleck (clarinet & alto saxophone), Lawrence McBriarty (trombone), Brian Bennett (banjo), Bill Colledge (bass) & Fred Thompson (drums & vocals) + Miles Watson (trumpet & vocals) + Teresa Armstrong (vocals)

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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