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Bebop Spoken There

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SEPTEMBER

IT IS ADVISABLE TO CHECK IN ADVANCE WITH THE VENUE THAT THE GIG IS ON

FRIDAY 25

SouLutions Sistas - Hoochie Coochie, Pilgrim St., Newcastle NE1 6SF. Tel: 0191 222 0130. 8:30pm (7:00pm doors). £10.00. SOLD OUT!

SATURDAY 26

Boys of Brass - Tyne Bank Brewery, Walker Road, Newcastle NE6 2AB. Tel: 0191 265 2828. 7:00pm. £10.00. + £1.37 bf for table for two. Other packages available. See www.tynebankbrewery.co.uk.

SUNDAY 27

Vieux Carre Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Tel: 0191 691 7090. Free.

OCTOBER

THURSDAY 1

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. 0191 266 6173. 1:00pm. Free.

Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00pm - 10pm. Free. Note earlier start/finish.

Tuesday, August 30, 2016

Tango Jazz Quartet @ The Globe - August 29

Gustavo Firmenich (sax & clarinet), Horacio Acosta (piano), Federico Hilal (bass) & Alejandro Beelmann (drums) + Debra Milne (vocal).
(Review by Lance).
Undoubtedly a first for the Jazz Coop and the Globe - an Argentinian Tango Jazz Quartet! I had initial reservations - I didn't know what to expect. Deliberately, I didn't YouTube them, I wanted to, hopefully, experience the 'Sound of Surprise' which is so often lacking in jazz today.
It wasn't lacking tonight - there were surprises galore!
Earlier in the day, the band had played a 'Milonga' that had tango dancers displaying their technique - and more - in the downstairs bar. (see separate review).
Several of those at the Milonga, lingered longer for the evening gig and I don't think they regretted it.
I'm not going to attempt to name titles - Firmenich's English is only slightly better than my Senegalese - but, music being an international language, - it didn't matter too much.
As someone who regarded the Tango as the squarest (slight pun in there) of all the South American dances - Bossa Nova, Mambo, Rhumba, Samba etc - I was quite amazed at just how great a groove this was! The band could be swinging, rocking, funking, jazzing or whatever, that tango rhythm was embedded in it all
Firmenich blows fruity tenor. Raspy, cutting edge, the man's got 12 fingers. Clarinet's the same. Croaky, throaty, plenty of glissando, Pee Wee lives! You want to learn jazz clarinet ? head for Buenos Aires!
On piano, Acosta varied from Jarrett-like intensity to an almost Debussyesque pastoral mode. But that was the charm of this unique band. Rarely did the tempo remain constant with mood swings aplenty! 
These senors are tension building maestros
Hilal played 6 string bass with a rare fluidity whilst Beelman incorporated the tango rhythm into the contemporary jazz/rock/fusion beat.
There was also a similar situation to the Louis Stewart story and the passing police car. On this occasion, it was an ambulance siren that was wailing. Firmenich didn't let it phase him simply holding the note until the siren faded. He hoped it wasn't for anyone present!
There was a surprise ending to the first set - a couple of numbers from our own Debra Milne!
Debra's O Level Spanish held her in good stead on Por Una Cabeza although I'd have preferred What a Difference a Day Made to be sung as Cuando Vuelva A Tu Lado!
The ground floor bar was crowded and the Wylam Gold Tankard went down a treat.
Photos.
Lance.

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