Bebop Spoken There

Gary Bartz: ''Charlie Parker was my introduction to the religion of music. And so he's always with me .'' - Downbeat November 2025.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17950 (and counting) posts since we started blogging 17 years ago. 914 of them this year alone and, so far, 23 this month (Nov. 7).

From This Moment On ...

November

Wed 12: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 12: Tannery Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 12: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 12: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 13: Thu 04: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Seasonal/Festive Music & Songs - autumn into winter.
Thu 13: Awen Ensemble @ Pilgrim, Newcastle. 7:30pm (doors). £5.00. Jazz-folk.
Thu 13: SwanNek + Ellen Beth Adbi + Phantom Bagman @ Glasshouse, Gateshead. 8:00pm. A BBC Introducing event.

Fri 14: Dan Johnson Quartet @ Bishop Auckland Methodist Church. 1:00pm. £8.00.
Fri 14: Giles Strong Quartet @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: Brian Jackson @ Pilgrim, Newcastle. 7:30pm (doors). £32.00. SOLD OUT!
Fri 14: Guisborough Big Band @ Saltburn Golf Club. 7:30pm. £12.00 (inc. pie & peas). SOLD OUT!

Sat 15: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 15: Tweed River Jazz Band @ Warkworth Memorial Hall. 7:00-9:30pm.
Sat 15: Les Frères Frangipane @ Jesmond Library, Newcastle. 8:00pm (doors 7:30pm). £10.00. ‘Chanson Française’. Fundraiser for Jesmond Community Orchard & Jesmond Library.

Sun 16: Jo Harrop @ The Globe, Newcastle. 2:30pm. Duo performance.
Sun 16: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. ‘Jazz Sunday’ with special guest PETE TANTON.
Sun 16: Lorne Lofsky-Nigel Price Quartet @ Queen’s Hall, Hexham. 3:00pm. Lofsky (guitar); Price (guitar); Jeremy Brown (double bass); Joel Barford (drums).
Sun 16: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 16: Lorne Lofsky-Nigel Price Quartet @ The Globe, Newcastle. 8:00pm. Lofsky (guitar); Price (guitar); Jeremy Brown (double bass); Joel Barford (drums).

Mon 17: Harmony Brass @ Cullercoats Crescent Club (1:00pm). Free.
Mon 17: Finn-Keeble Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, Abbie Finn.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, August 17, 2016

CD Review: Ben Bryden - Glasgow Dreamer - The Music of Ivor Cutler

Ben Bryden (tenor, harmonium), Reinier Baas (guitar, piano, harmonium), Mark Schilders (drums), Tom Berkmann (bass).
(Review by Steve T)
According to the notes this is Indie Jazz and I may have been better prepared had I read it first and may not be the ideal person to review it.
The instrumentation is largely sax, guitar, bass and drums which several sources have told me is the new frontline of choice instead of trumpet and sax, which may be bad news for trumpeters and pianists. I personally think the sax and guitar play well off each other and I like the space created as the guitar switches from comping to soloing. 
The first couple of tracks put this to good use with strong melodies and the leader has a distinctive tone reminding me of someone but I can't think who, so if anyone hears it and has any ideas, please help me out.
For the most part the indie comes from the guitarist who adopts a jingly jangly sound favoured by mid-sixties beat groups before Clapton and Hendrix changed everything, and was revived post punk-rock while musicianship was still scorned which has mercifully receded in recent years.
No question of his ability, though his runs occasionally seem predictable, but the sound actually works very well.
On track three The Meadows Go we get the indie style as well as the sound and this is where the problem starts for me. I don't have a problem with fusion and believe all music is fusion at some level. Nor do I necessarily have a problem where the respective musics seem incompatible or even contradictory. Nevertheless, this didn't work for me, not least because I believe indie bands are more interested in creating media myths by constructing a perception of difference from other pop groups deemed less 'authentic'.
The next few tracks continue as before but the introduction of a harmonium, sounding like an accordion, on track eight 74 to Dumfries left me somewhat bewildered.
Apart from the two tracks, there's some good Jazz on offer and anybody into indie, Britpop, punk-rock or even sixties guitar groups may find it of interest, but it's not for me.
Steve T.
Glasgow Dreamer - The Music of Ivor Cutler - samples/buy.

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