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Bebop Spoken There

Ferg Ireland: “I was very ignorant about early jazz - it's bizarrely skirted over in jazz education." - (Jazzwise, September 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,698 (and counting) posts since we started blogging 13 years ago. 1115 of them this year alone and, so far, 59 this month (Sept. 17).

From This Moment On ...

September

Mon 20: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 22: Darlington Big Band @ Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public)
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 8:00pm. Celebrating TITTB's 20th anniversary & Dave Weisser's forthcoming birthday! Limited gig tickets (£1.00.). Free live stream. www.jazz.coop.

Thu 23: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 23: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall 8:00pm. .
Thu 23: Maine Street Jazzmen @ Sunniside Social Club, Sunniside, Gateshead. 8:30pm. .

Fri 24: Sue Ferris Quintet @ Gala Theatre, Durham. 1:00pm.
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 24: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm.
Fri 24: New Orleans Preservation Jazz Band, Stockton. 1:00pm.
Fri 24: FILM: Jazz on a Summer's Day + Swing Bridge Trio (in the bar) @ Forum Cinema, Hexham. 7:00pm.

Sat 25: Silent Music Seeing Sound + Spinningwork @ Newcastle Arts Centre. 6:30pm. Newcastle Festival of Jazz & Improvised Music (NFOJIM).
Sat 25: Knats @ Prohibition Bar, Newcastle. 8:00pm.

Sun 26: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. .
Sun 26: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 26: Foundry Jazz Ensemble @ The Exchange, North Shields. 4:00pm. .
Sun 26: David Gray Flextet @ The Globe, Newcastle. 8:00pm. .
Sun 26: Nubiyan Twist @ The Cluny, Newcastle. 8:00pm.

Mon 27: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Thursday, November 05, 2015

Dave Milligan Trio @ Brunswick Methodist Church – November 5

Dave Milligan (piano), Tom Lyne (double bass) & Tom Bancroft (drums)
(Review by Russell)
Jazz goes to choich! In a side street off the main drag, culture vultures ventured over to the dark side determined to resist any mumbo jumbo from the wacko deluded oddballs. Brunswick, a melting pot of the comfortable and complacent, the lonely and lost, some killing time, escaping, temporarily, from their main drag dead end job. They have come in from the cold, studiously ignoring the Big Issue vendors, side-stepping the homeless.
Inside, the chapel welcomed the jazz brethren, or rather, the Friends of King’s Hall bods and the dragooned students (out of bed in the nick of time). The Dave Milligan Trio had something of a surprise awaiting them – Newcastle University’s music department went to the trouble of transporting a grand piano to the city centre venue! Milligan’s principal discipline is jazz although he does work cross genre, as do his bass player and drummer. Tom Lyne, Canadian born, but a long time resident north of the border, possesses a real jazz sound; full, resonant, with a great sense of time. The other Tom, Tom Bancroft, has an equally impressive jazz cv together with his interests in the folk world.
The majority of the compositions played in this one hour recital were written by Milligan.  Brubeckian, European classical, percussive dance grooves, the tunes wittily titled – Don’t Just Do Something, Sit There and Going Nowhere to name but two – were well received, although the audience sat on its hands, choosing/failing to acknowledge solos from Lyne and Bancroft, the trio winning polite applause at their conclusion.
Milligan’s playing of a high order, dense, percussive excursions drew in the listener with bass and drums negotiating the charts in an unobtrusive manner. An atypical piece to end the lunchtime recital – a South African township composition – belatedly stirred audience and musicians alike.
Russell

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