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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Friday July 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

John Settle’s Vibe-ology - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

New Orleans Swamp Donkeys - Ernest, Boyd Street, Newcastle NE1 2AP. Tel: 0191 260 5216. 5:00pm. Free.

Blues/Country/Folk

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. Struggle Buggy 2:00-2:45pm., Shipcote & Friends 3:00-3:45pm. Free. Jumpin’ Hot Club stage.

Evening.

Riviera Quartet - Traveller’s Rest, West Auckland Road, Cockerton, Darlington DL3 9ER. 8:00pm. (7:30pm doors). £8.00.

New Orleans Swamp Donkeys - Cobalt Studios, Boyd St., Newcastle NE2 1AP. Tel: 0191 232 3553. 8:00pm. £5.00. (£4.00. adv). Top class band from New Orleans.

Baghdaddies - Cumberland Arms, James Place Street, Newcastle NE6 1LD. Tel: 0191 265 6151. 8:30-9:30pm.

Global BRASS @ Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £15.00. (£12.00. concs.). Joint concert featuring two bands 560 miles apart - NASUWT Riverside Band (Chester le Street) & Concord Brass Band (Copenhagen). A Durham Brass Festival event.

Haftor Medbøe & Will of the People Quartet: Global Brass Jam - Live - Gala Theatre, Millennium Place, Durham DH1 1WA. 10:30pm. £10.00. (£8.00. concs.). Pan-European jam session. Will of the People Quartet line-up: Haftør Medboe (saxophones); Pete Furniss (clarinets); Jacob Karlzon (piano); Tom Bancroft (drums). A Durham Brass Festival event. See Freebie Link!

Blues/Soul/Funk/Country

Sold out!

k.d.lang - Summertyne Americana Festival, Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 7:30pm.

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The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, November 07, 2015

Jo Harrop Quartet @ The Gala Theatre, Durham. Nov 6.

Jo Harrop (vocals), Neil Harland (bass), Rob Walker (drums) and Paul Edis (piano).
(Review by Jerry)
Jo Harrop, a great band and a programme listing (among others) Gershwin, Porter, Legrand and Billie Holiday – what a perfect antidote to the soggy Bonfire Night I had in Borrowdale! There was a full house (100), with people being turned away at the door and an expectant hush at 12.59 and into the opening song, Love Me or Leave Me - no noisy diners here!
Looking across the river there were still autumn colours to be seen against a slate-blue sky befitting Autumn in New York. The line: “Autumn in New York is often mingled with pain”, was not true at the Gala with Jo Harrop’s vocals to soothe us. There was seasonal consolation later, too, in Legrand’s You Must Believe in Spring: “If winter comes, can spring be far behind?” Nothing like a bit of Shelley to adorn already beautiful lyrics!
I’m a Fool to Want You by Herron / Sinatra / Wolf is a tune which does NOT suffer from being much-covered over the years. Here the backing was stripped down to minimal - no solos - allowing the audience to focus entirely on the plaintive Billie Holiday-style delivery. It was “hear a pin drop time” in the packed room.
Piano and bass both got to solo on Richard Rodgers’ cheery, up-tempo This Can’t Be Love and then we had more master-class lyrics on Cole Porter’s It’s All Right with Me. Who else coolly rhymes “chips” with “lips” outside of a limerick?
Bye Bye Blackbird opened with just vocals and bass and, sung in the manner of Julie London, achieved another “pin-drop” silence until it became Bye Bye Blackbird (Hello Durham Constabulary) as Jo had to contend with sirens full blast on Milburngate Bridge! Nowhere’s perfect…
Rob Walker’s drumming came more to the fore on Gershwin’s lovely The Man I Love. Maybe that should be Gershwins’ as Ira’s lyrics contribute much to the enduring appeal of the tune. Tuesday, there, might be “good news day” but we were all doing nicely on Friday, thank you! I Can’t Give You Anything but Love saw Jo at her most winsome and some trading fours generated more fizz and pop than our sparklers last night.
Then more Cole Porter with an up-tempo Just One of those Things which featured more great lyrics, though apparently it was a friend of Porter’s who suggested the adjective in “gossamer wings”. No one’s perfect?
The official last number was my idea of perfect – how could they top it? Great blues piano (with piano “answering” the vocals), great bass solo and great blues singing on Billie Holiday’s Fine and Mellow…….which they then topped with their encore: I Wish I Knew How it Would Feel to Be Free! I have loved this song since I first heard Jo Harrop perform it about 5 years ago and it took on added poignancy having watched, two days ago, a DVD of Twelve Years a Slave in which I found the brutality portrayed truly shocking. Anyway, the audience clearly loved it too.
Never mind soggy Bonfire Night – this was Christmas come early!
Jerry

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance