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Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

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COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Tuesday, August 25, 2015

CD Review: Fred Hersch - Solo

Fred Hersch (pno).
(Review by Dave Brownlow).
An album of solo piano recorded live at Windham Civic Centre Concert Hall in New York to kick-off a year-long celebration of his 60th birthday with appearances, projects and this CD - Fred Hersch’s tenth solo recording proof that he’s now more than capable of working without the “safety-net” of a rhythm section or other players. 
In the history of jazz, it could be argued, that very few pianists could really play solo successfully and satisfyingly. Tatum, Peterson, Jarrett – those with a formidable technique. Hersch, also, belongs in that stellar group; he’s a master-musician with a style uniquely his own incorporating a wonderful harmonic sense, swing, humour, touch at the keyboard, emotion and lyrical improvisations. The album comprises a set of pieces that are typical Hersch – Kern, Tizol, Monk, Jobim and Joni Mitchell plus a couple of Hersch originals.
The recital begins with a medley of Jobim’s Olha Maria and O Grande Amor. Both are beautifully re-harmonised with “surprises” that blend in with the original rich chords. If Claude Debussy were alive today, this would be the way he'd play these songs!
Caravan offers complete contrast. Juan Tizol’s song has had many exotic interpretations, none more so than this one. Fred picks out melody notes from all over the keyboard, completely unconventionally, but to these ears, just right. Juan and Duke would smile at this performance!  Pastorale, the first of the Hersch originals is a beautifully constructed, lilting tribute to Robert Schumann. He makes the piano “sing” – reminiscent of some of Keith Jarrett’s extraordinary adventures in harmony and keyboard mastery.
Whirl is the second original and we’re soon in a vortex of flowing improvisation where Fred loses himself in a headlong display of melody, counter-melody and bravura technique.
The Song Is You opens with a reflective, out-of-tempo, intro which gradually morphs into the well-known song beloved of many jazzers because of its ‘interesting’ chord sequence. Fred’s version gently flows through the modulations with great imagination and sensitivity. Monk’s In Walked Bud is played at a lively tempo with vigour and humour; at times Fred plays with hands seven octaves apart – quite a feat! Homage indeed to Thelonious and Bud from one of today’s gifted artistes. Joni Mitchell’s Both Sides Now closes the CD almost with reverence and delicacy yet with strength. I think that Fred chooses his standards carefully and must know the words of the songs – as Pres did – because of the depth of feeling he puts in to the performances.
Dave B.
Fred Hersch SOLO (Palmetto 180) will be available from September 4  from Palmetto   Definitely one of my albums of the year!

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