Fred Hersch (pno).
(Review by Dave Brownlow).
An
album of solo piano recorded live at Windham Civic Centre Concert Hall in New York to
kick-off a year-long celebration of his 60th birthday with
appearances, projects and this CD - Fred Hersch’s tenth solo recording proof that he’s now
more than capable of working without the “safety-net” of a rhythm section or
other players.
In the history of jazz, it could be argued, that very few pianists could really play solo successfully and satisfyingly. Tatum, Peterson, Jarrett – those with a formidable technique. Hersch, also, belongs in that stellar group; he’s a master-musician with a style uniquely his own incorporating a wonderful harmonic sense, swing, humour, touch at the keyboard, emotion and lyrical improvisations. The album comprises a set of pieces that are typical Hersch – Kern, Tizol, Monk, Jobim and Joni Mitchell plus a couple of Hersch originals.
In the history of jazz, it could be argued, that very few pianists could really play solo successfully and satisfyingly. Tatum, Peterson, Jarrett – those with a formidable technique. Hersch, also, belongs in that stellar group; he’s a master-musician with a style uniquely his own incorporating a wonderful harmonic sense, swing, humour, touch at the keyboard, emotion and lyrical improvisations. The album comprises a set of pieces that are typical Hersch – Kern, Tizol, Monk, Jobim and Joni Mitchell plus a couple of Hersch originals.
The
recital begins with a medley of Jobim’s Olha
Maria and O Grande Amor. Both are
beautifully re-harmonised with “surprises” that blend in with the original rich
chords. If Claude Debussy were alive today, this would be the way he'd play
these songs!
Caravan offers complete
contrast. Juan Tizol’s song has had many exotic interpretations, none more so than this one. Fred
picks out melody notes from all over the keyboard, completely unconventionally, but to these ears, just right. Juan and Duke would smile at this performance! Pastorale,
the first of the Hersch originals is a beautifully constructed, lilting
tribute to Robert Schumann. He makes the piano “sing” – reminiscent of some of Keith Jarrett’s extraordinary adventures in
harmony and keyboard mastery.
Whirl is the second original and we’re soon in a vortex of flowing
improvisation where Fred loses himself in a headlong display of melody,
counter-melody and bravura technique.
The Song Is You opens with a reflective, out-of-tempo, intro which
gradually morphs into the well-known song beloved of many jazzers because of
its ‘interesting’ chord sequence. Fred’s version gently flows through the
modulations with great imagination and sensitivity. Monk’s In Walked Bud is played at a lively tempo with vigour and humour;
at times Fred plays with hands seven octaves apart – quite a
feat! Homage indeed to Thelonious and Bud from one of today’s gifted artistes.
Joni Mitchell’s Both Sides Now closes
the CD almost with reverence and delicacy yet with strength. I think that Fred
chooses his standards carefully and must know the words of the songs – as Pres
did – because of the depth of feeling he puts in to the performances.
Dave B.
Fred
Hersch SOLO (Palmetto 180) will be available from September 4 from Palmetto Definitely one of my albums of the year!
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