Total Pageviews

Bebop Spoken There

Avishai Cohen (trumpet): "This is my main thing right now: Live in the here and now, take things one day at a time. I'm stopping everything I can, and stripping everything to the bone. I'm spending a lot of time listening to music, playing, going for walks, enjoying my kids." - (DownBeat June 2020).

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Sunday, August 09, 2015

Mark Williams & Joel McCullough @ The Jazz Café. August 8

Mark Williams (guitar) & Joel McCullough (guitar)
(Review by Russell).
Friends from way back, Irishmen Mark Williams and Joel McCullough hooked up once again to play some jazz guitar together at their old haunt, the Jazz Café on Pink Lane. A small number of jazz guitar enthusiasts took their seats as the duo began with Stella By Starlight.
The seated Williams and McCullough complemented one another stylistically; Williams’ intricate harmonic progressions, McCullough’s linear lines light of touch. Rhythm duties shared, the duo developed solos in turn. A mutual appreciation of Steve Swallow’s tunes saw two such in the set. Jokingly Williams enquired: Why are we playing a bass player’s tune? Swallow’s compositions – Falling Grace and Ladies in Mercedes – were given due respect, the musicianship of a high order.
Tadd Dameron’s Lady Bird stood out, McCullough finding his way around the fret board with ease, then doing it all again taking a different route. There There There, a Williams’ original composition, unsurprisingly posed few problems to the composer (!), his partner took a look at it and got it, the duo dovetailing to great effect. The Saturday night crowd grew in number and, in due course, the voluble were clearly audible. The few enthusiasts weren’t about to allow their concentration to be broken and right on cue a major highlight came in the form of Joe Henderson’s The Inner Urge. Gargantuan playing from both men appreciated by those with (non-cloth) ears. The set concluded in a blues vein; Gee Baby, Ain’t I Good to You? Two friends playing jazz guitar, entirely non-competitively. A night for the enthusiast.     
Russell.

No comments :

Blog Archive