For the past fifteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!
Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"
January
Sat 28: Tyneside Improvisers Workshop @ Ye Olde Cross, Ryton. 2:00-4:00pm. All welcome.
Sat 28: Secular Sounds in a Sacred Place @ Holy Cross Church, Ryton. 4:30-7:00pm. £10.00. Continuous performance featuring: Christian Alderson, Faye MacCalman, Sally Pilkington, John Pope. Event preceded by a Tyneside Improvisers Workshop (2:00pm, see above).
Sat 28: Entartete Musik @ The Globe, Newcastle. 7:30pm. A Brundibár Arts Festival event.
Sun 29: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sat 28: Revolutionaires @ Brandling Villa, South Gosforth, Newcastle. 9:00pm. Rhythm & blues band.
Sun 29: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Tue 31: ???
February
Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.
Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.
1 comment :
His books "Early Jazz" and "The Swing Era" - particularly the latter - are absolutely essential reading for jazz enthusiasts. Schuller wrote them from the point of view of a highly skilled musician and listened as extensively as was possible in those pre-internet times to all available original recordings. One can very occasionally find inaccuracies and opinions which one might not agree with, but they are nonetheless a tour de force in the canon of jazz literature, and like the best of the genre, they always send me back to the records to refresh and reinvigorate the jazz muscles! He had intended to write a third volume dealing with modern jazz, but I guess time ran out on him - "The Swing Era" took him twenty-plus years to research and write.
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