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Bebop Spoken There

Steve Race: "The personnel is different, notably in the inclusion of Ben Webster, always, to my mind, a rather half-hearted tenor player"

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,490 (and counting) posts since we started blogging 13 years ago. 908 of them this year alone and, so far, 72 this month (July 23).

From This Moment On

Wed 28: Ragtime Rewind Swing Band @ Assembly Rooms, 40 North Bailey, Durham DH1 3ET. 9:20pm. £8.00. A Durham Fringe Festival event (www.durhamfringe.co.uk).

Thu 29: Vieux Carré Jazzmen @ The Holystone North Tyneside. 1:00pm.

Thu 29: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.

Sat 31: Lindsay Hannon @ Prohibition Bar, Newcastle. 8:00pm. Lindsay previews new, original material.

Sat 31: jaktar + Johnny Richards @ Lit & Phil, Newcastle. 8:00pm. JNE promotion.

August

Sun 01: Vieux Carre Hot 4 @ Spanish City, Whitley Bay. 12 noon.

Sun 01: Jeffrey Hewer Quartet @ The Globe, Newcastle. 8:00pm. Leeds College of Music graduate guitarist (Masters, Jazz Performance & Composition).

Tuesday, June 02, 2015

CD Review: Keith Jarrett - Creation

Keith Jarrett (piano)
(Review by Russell)
Following his 2014 worldwide concert performances pianist Keith Jarrett selected the most revelatory episodes from six concerts and sequenced them, effectively creating a new concert. In other words this new release on ECM is a collection of the best bits of Jarrett’s gigs during last year. Its issue marks the pianist’s seventieth birthday (8 May).
Nine pieces across six performances on three continents, Creation, with a total running time of 72 minutes and 30 seconds, is typical of Jarrett the solo artist. Parts one to nine (Roman numerals I-IX for gravitas) were, no doubt, created on the best pianos on Earth (nothing but the best for Mr Jarrett). Part I sets the tone; referential silence broken only by Jarrett’s vocal harmonising with his keyboard inventions. Parts II and III observe an unremitting funereal pace with suggestions of Bach, then, perhaps, a familiar ballad, no sooner lost in the ether. Other parts offer more of the same.
Location – Paris, Rome, Tokyo, Toronto – of significance to the artist (one assumes), to the listener, of no importance. Creation documents Keith Jarrett’s concert performances during 2014. This ECM release is one for the piano student. Keith Jarrett’s Creation is on ECM 472 2298.         
Russell.

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