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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, November 04, 2013

Preston-Glasgow-Lowe @ The Bridge Hotel. November 3

David Preston (guitar), Kevin Glasgow (electric bass) & Laurie Lowe (drums)
(Review by Russell)
Splinter at the Bridge booked a young trio, took a chance and were rewarded with a low turn out. Audience numbers are down just about everywhere but when it is a struggle to reach double figures at the door it begs the question: Why bother? Well, people bother because the music means a lot to them. The promoter - Splinter - will soldier on and the few regulars will continue to show up.
This week’s guests - David Preston, guitar, Kevin Glasgow (six string electric bass) and drummer Laurie Lowe - presented a programme of almost entirely original material and played it with commitment and the highest level of musicianship imaginable. Tyneside is home to tens of thousands of students (several hundred of them studying music) and they were nowhere to be seen. Well, it’s their loss. Hearing the trio would have inspired (or perhaps disheartened) them. These guys could play, big time!
The tunes owed much to seventies’ jazz fusion. The likes of McLaughlin, Clarke and Cobham would have run for cover had they called in to the Bridge for a pint. Preston’s four-fingered fret board work had to be seen (and heard) to be believed. Glasgow, no stranger to the Bridge, possesses amazing chops and Lowe must practice eight days a week! The standard was terrifying. Tunes featured extended solo flights - Preston’s Silvertide featured the composer who laid down a great solo. Everything, Everything (comp. Preston) hinted at lyricism until the fusion pulse took charge once more. Olivier Messiaen’s composition for choir - O Sacrum Convivium - rang out loud and clear in a re-voicing for the three piece. A big sound from a small band! The Priory (comp Glasgow) referenced architect Le Corbusier with Lowe constructing a mighty solo. Piercing guitar developed from a cracking riff on Preston’s CPU with his band mates right on the money. The trio’s closing number - The Anvil (named after the music venue) - ensured we went out on a high.
Russell.                                  

3 comments :

Robert Laing said...

Excellent summary. Disappointing crowd, not for the first time this year. Let us hope we can keep attracting first class musicians to the venue in spite of the apathy of some of the locals. Maybe someone could tell us what we have to do to attract a proportionate crowd to the skill and musicianship of the bands that come to Splinter @ The Bridge. All suggestions welcome.

stevebfc said...

I would have gone if there had been some form of reminder mechanism for informing me about the gig (Twitter,Facebook, Email)

Robert Laing said...

Reminder mechanism? The gig was advertised for weeks ahead on this very blog, plus there is a listing for Splinter in the left hand column of this page. There is a facebook page (https://www.facebook.com/groups/splinterjazz/). There is also a website - http://splinterjazz.co.uk/wordpress/ and on either you can subscribe for news bulletins etc.

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance