Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Sun 04: Tees Bay Swing Band @ Heugh Battery, Hartlepool. 11:00am-12 noon & 1:00-2:00pm.
Sun 04: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 04: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet w. special guest Bill Watson (trumpet).
Sun 04: Sax Choir w. Rachel Musson @ The Globe, Newcastle. 2:00pm. Free.
Sun 04: Rivkala + Ceitidh Mac + Thatcher & Knowles @ The Globe, Newcastle. 2:30pm. A NFOJAIM event.
Sun 04: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free. RESCHEDULED from September 27.
Sun 04: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 04: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. £3.00.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sunday, November 10, 2013

What I Did In The Holidays by Ann Alex

Blog readers may have noticed my absence from the blog during the past week, although the distaff side of BSH has been well covered by Kath Jobes and Debra Milne.  (Lance likes the distaff reference; if you are puzzled, it’s something to do with weaving in Shakespeare, just ask Lance).  Anyway, I was away on a singing holiday. 
Thirteen of us formed a scratch choir and sang everything from Bach chorales to music hall to folk songs to jazz.  It was all great fun, in the beautiful Coniston area of the Lake District.  On the final evening people who wanted could perform solo so I jumped at the chance to sing jazz with the pianist from the course.  We decided to do All Of Me; Bye Bye Blackbird and Everytime We Say Goodbye. As we rehearsed, up stepped another person from the group, who said he’d love to sing as well.  I’d planned all sorts of fancy arrangements for myself, but hadn’t the heart to say ‘no’ so we sang together, each improvising a little yet trying to blend.  It turned out that Mike, my fellow singer, had been doing jazz for years and had a lovely light-toned voice. The pianist, who hadn’t played all that much jazz before, managed to work out the chords no bother.  I missed the flowing piano of a Gilligan or a Law, but it was still good.  The moral of the story is that singers have to be prepared for anything, or anyone, that crops up.  The audience said they liked it anyway!
Ann Alex 
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