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Bebop Spoken There

Jeremy Pelt: "In my experience, the hottest player on the scene is almost always the most annoying motherfucker on the scene because they know that they're hot." - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Monday May 20

Afternoon

Jazz

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, November 10, 2013

What I Did In The Holidays by Ann Alex

Blog readers may have noticed my absence from the blog during the past week, although the distaff side of BSH has been well covered by Kath Jobes and Debra Milne.  (Lance likes the distaff reference; if you are puzzled, it’s something to do with weaving in Shakespeare, just ask Lance).  Anyway, I was away on a singing holiday. 
Thirteen of us formed a scratch choir and sang everything from Bach chorales to music hall to folk songs to jazz.  It was all great fun, in the beautiful Coniston area of the Lake District.  On the final evening people who wanted could perform solo so I jumped at the chance to sing jazz with the pianist from the course.  We decided to do All Of Me; Bye Bye Blackbird and Everytime We Say Goodbye. As we rehearsed, up stepped another person from the group, who said he’d love to sing as well.  I’d planned all sorts of fancy arrangements for myself, but hadn’t the heart to say ‘no’ so we sang together, each improvising a little yet trying to blend.  It turned out that Mike, my fellow singer, had been doing jazz for years and had a lovely light-toned voice. The pianist, who hadn’t played all that much jazz before, managed to work out the chords no bother.  I missed the flowing piano of a Gilligan or a Law, but it was still good.  The moral of the story is that singers have to be prepared for anything, or anyone, that crops up.  The audience said they liked it anyway!
Ann Alex 

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