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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, November 23, 2013

Debra Milne Ensemble – Emptyshop HQ Durham November 22

Debra Milne (Vocal) Stevie Glendinning (Guitar) Paul Grainger (D. Bass) Rob Bates (Drums).
(Review by Kath Jobes).
A new venue for Jazz in Durham proved to be a little gem!  Parking was ‘fun’ on the steep and narrow Crossgate Peth just up from Framwellgate Bridge… and finding the venue could have been tricky had it not been for one  of the Musicians being outside for a ‘breath of fresh air’!  I was quickly ushered up the stairs and into an intimate and unpretentious bar area to meet up with a small group of musicians and friends who led me into a larger room, set up for a night of two and a half sets of entertaining Jazz…
The first set commenced with a Milne/Glendinning tribute to the greatly missed Keith Crombie in the form of The Jazz Café Song, quickly followed by a lively Devil May Care.  The next tune, Midnight Sun by Lionel Hampton, lyric by Johnny Mercer was new to the repertoire but beautifully sung by Debra Milne with a lovely instrumental interlude, followed by Horace Silver’s Pretty EyesDon’t Come Round Here Anymore exhibiting the versatility of Mr Paul Grainger on Double Bass with a most agreeable solo. I hesitate to say ‘nice’ … but it was! 
The next number, Equinox by John Coltrane,  began with a drum and double bass intro, joined by the skilful playing of Stevie Glendinning on Guitar, boy can that guy make it sing! A sprightly Billie’s Bounce celebrated the talents of this tight quartet, and the scat from Debra along with solos from Stevie and Paul were truly delightful; What was even more captivating was the seamless segue into the George Michael number – Faith.  An original by the Milne/Glendinning song writing duo – Stay… what a charming tune, with a superb solo from Stevie, supported as ever by the solid rhythm section.  The final number of this first set was more Horace Silver - Signor Blues.
The second set opened with an original (and beautiful) song, Show Me the Man. Miles Davis’ Four brought forth a grand set of 4’s including some scatting from the talented Debra and she excelled as she took on the Gershwin tune, It Ain’t Necessarily So. A cool Betty Carter number - Tight, progressed nicely into Just You, Just Me with a vocalize section written by Milne cleverly integrated into the tune.  Temptation was tremendous and the instrumental Stella by Starlight, simply stunning … what a tight unit this trio is!
A call went out to the audience, “any Jones’ in the house” and yes … there was Dan… so an amusing take on the song, Have you met (Miss) ‘Dan’ Jones resulted in a huge round of applause. Dusty Springfield’s Spooky was groovy as was the next number with words written by Debra to the Benny Golson tune - Killer Joe… and renamed ‘Relax’.  Another poignant original, Blame Game, was  followed by the ballad Save Your Love For Me. The set closed with Duke Ellington’s Caravan… after a debate about tempo… which made little difference - as we all know that as a Caravan goes downhill it gathers speed!
After a short break, the final short set was initiated by an instrumental,  Midnight Voyage and Debra re-joined the trio for How Insensitive and a sassy, It Don’t Mean a Thing to end… but the crowd, which had grown over the course of the evening were begging for more… so an encore followed… No More Blues… and yep there was no way anyone could be blue after that! 

Kath J.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance