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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17923 (and counting) posts since we started blogging 17 years ago. 244 of them this year alone and, so far, 91 this month (March 31).

From This Moment On ...

April 2025.

Tue 08: ???

Wed 09: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 09: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 09: Tannery jam session @ The Tannery, Hexham. 7:00pm.
Wed 09: Anatole Muster Trio @ Cluny 2, Newcastle. 7:30pm (doors). £17.50., £12.50. concs.
Wed 09: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED?

Thu 10: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.CANCELLED!
Thu 10: Magpies of Swing @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00. A Globe fundraiser (all proceeds to the venue).
Thu 10: Exhaust: Camila Nebbia/Kit Downes/Andrew Lisle @ Jesmond URC, Newcastle. 8:00pm (7:30pm doors). £13.20., £11.00. JNE.
Thu 10: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Feat. guests Ray Dales & Jackie Summers.

Fri 11: Zoë Gilby Quartet @ Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 11: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 11: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 11: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 11: John Rowland Trio: The Music of Ben Webster @ Jesmond Library, Newcastle. 1:00pm. £5.00. Rowland (tenor sax); Alan Law (piano); Paul Grainger (double bass).
Fri 11: Imelda May @ The Fire Station, Sunderland. 7:30pm. SOLD OUT!
Fri 11: Shunyata Improvisation Group @ Cullercoats Watch House. 7:30-9:00pm. Free (donations).

Sat 12: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 12: Rob Heron & the Tea Pad Orchestra + House of the Black Gardenia + King Bees @ Cluny 2, Newcastle. 6:30pm (doors). £18.00.
Sat 12: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Event includes swing dance taster session, DJ dance session. Bright Street Big Band on stage 7:30-8:15pm & 8:45-9:30pm. SOLD OUT!
Sat 12: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Imelda May @ The Glasshouse, Gateshead. 7:30pm. £42.20. SOLD OUT!
Sat 12: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 13: Daniel John Martin with Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 13: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 13: Hejira: A Celebration of Joni Mitchell @ Wylam Brewery, Newcastle. 8:00pm (7:00pm doors). £22.50.
Sun 13: Wilkinson/Edwards/Noble + Chojnacki @ The Globe, Newcastle. 8:00pm. £13.20., £11.00. JNE.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Zoë Gilby Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, November 05, 2013

Tête à Tête with Cécile McLorin Salvant

(By Debra Milne).
(Photo Cécile (right) with Jean-Francois Bonnel and Daryl Sherman)
By the time I catch up with Cécile McLorin Salvant, it is towards the end of the Whitley Bay Classic Jazz Party, after her 2nd set of the day, which was devoted to ‘Empress of the Blues’ Bessie Smith. Cécile has performed here several times, and was first brought along  in 2009 by the French reedsman Jean-Francois Bonnel, with whom she studied and performed  for a number of years.  It is particularly poignant that the festival’s founder, the greatly missed Mike Durham,  triggered   her extensive  study  of the legendary singer, by asking her to perform more Bessie Smith repertoire at this event. 
Cécile’s musical training was initially classical before she focussed on jazz, and her début album ‘Womanchild’  reflects her  breadth of interest in American musical heritage, combined with a  more contemporary approach with much of the material. Her vocal technique is excellent, and I ask whether  this is due to her classical background. She thinks not, as voice projection without a microphone is very important in classical singing, whereas in jazz the interpretation of spoken word is at the forefront.  As if to reinforce  this point, whilst we are talking several festival goers stop to relate (in French or  in English)  how much they enjoyed her Bessie Smith set, and how moved they were by her singing .  She  cites many other influences as a jazz vocalist,  and  has spent a lot of time listening to Betty Carter, as well as  a host of others including Louis Armstrong, Sarah Vaughan, Billie Holiday, Shirley Horn, Blossom Dearie, Dinah Washington  and Nancy Wilson.
Jazz in all its forms seems peripheral to popular culture in the UK, so does Cécile feel it is more mainstream in the US? Not really, she says, the audience is diminishing and mainly older, with  occasional exceptions  such as at Dizzy’s in NYC which is  frequented by a lot of music students and their arty friends. Jazz is never on mainstream TV. Even in New York, the range and quality of musicians seems reduced compared to her impression of 20-30 years ago. Cécile  may have access to some of the best players around, but those with a genuine love of ‘20s and ‘30s jazz are scarce, and tend to be  more interested  in  the instrumental  perspective.  I note that, similarly, the musicians in the various sets this weekend do seem pretty obsessed with the recreation of legendary  arrangements, whereas her focus is on the interpretation of lyrics, rather than recreating  an icon from the past.
So what are Cécile's plans for the future? In the coming year she plans to record her second album, but the material, personnel and recording dates are still to be finalised. It probably will be a selection of lesser known jazz standards, and possibly 1 or 2 originals. She is writing material but feels that it is not ready to be recorded, comparing her position to that of an unnamed poet who  said that the first 200 compositions  had to be written (badly), before one was able to create good poems.  Meanwhile, she has a busy schedule performing worldwide, in Europe, North and South America and Japan, with artists such as the Christian McBride Trio and Wynton Marsalis, the latter at the Lincoln Center. It seems that her career is on the brink of a big change.  She modestly denies this,  however, when I suggest that her next visit to north-east England is more likely to be at a bigger venue such as Sage Gateshead, Cécile  is most enthusiastic.  But our time  for conversation is up, as she has to go and prepare for possibly her last ever  performance at the Whitley Bay Classic Jazz Party, in a set of later Ellingtonia.  She may now be moving  on  in  her  journey  to  internationally acclaimed jazz singer,  but the experience Cécile McLorin Salvant has gained from her participation in this unique event is likely to have  a  significant  influence on her entire career.
Debra Milne.

1 comment :

Lance said...

Debra, Cécile's CD may or may not be the CD of the year. Her gig's are in the running but, irrespective, this has to be our interview of the year!

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