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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16233 (and counting) posts since we started blogging 16 years ago. 115 of them this year alone and, so far, 59 this month (Feb. 23).

From This Moment On ...

February 2024

Fri 23: Mark Williams Trio @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Salty Dog Trio @ The Greenhouse, Tynemouth. 7:00pm. £8.00. (£6.00. adv.). CANCELLED!
Fri 23: Crooners @ The Maltings, Berwick upon Tweed. 7:30pm. £30.00., £28.00.
Fri 23: Strictly Smokin' Big Band w Dennis Rollins @ Glasshouse, Gateshead. 8:00pm.

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 29: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (saxophone).
Thu 29: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:00pm. Free.
Thu 27: Student Jazz Jam @ The Globe, Newcastle. 7:30pm.
Thu 29: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Josh Bentham (alto sax); Graham Thompson (keys); Adrian Beadnell (bass).

Tuesday, November 05, 2013

Tête à Tête with Cécile McLorin Salvant

(By Debra Milne).
(Photo Cécile (right) with Jean-Francois Bonnel and Daryl Sherman)
By the time I catch up with Cécile McLorin Salvant, it is towards the end of the Whitley Bay Classic Jazz Party, after her 2nd set of the day, which was devoted to ‘Empress of the Blues’ Bessie Smith. Cécile has performed here several times, and was first brought along  in 2009 by the French reedsman Jean-Francois Bonnel, with whom she studied and performed  for a number of years.  It is particularly poignant that the festival’s founder, the greatly missed Mike Durham,  triggered   her extensive  study  of the legendary singer, by asking her to perform more Bessie Smith repertoire at this event. 
Cécile’s musical training was initially classical before she focussed on jazz, and her début album ‘Womanchild’  reflects her  breadth of interest in American musical heritage, combined with a  more contemporary approach with much of the material. Her vocal technique is excellent, and I ask whether  this is due to her classical background. She thinks not, as voice projection without a microphone is very important in classical singing, whereas in jazz the interpretation of spoken word is at the forefront.  As if to reinforce  this point, whilst we are talking several festival goers stop to relate (in French or  in English)  how much they enjoyed her Bessie Smith set, and how moved they were by her singing .  She  cites many other influences as a jazz vocalist,  and  has spent a lot of time listening to Betty Carter, as well as  a host of others including Louis Armstrong, Sarah Vaughan, Billie Holiday, Shirley Horn, Blossom Dearie, Dinah Washington  and Nancy Wilson.
Jazz in all its forms seems peripheral to popular culture in the UK, so does Cécile feel it is more mainstream in the US? Not really, she says, the audience is diminishing and mainly older, with  occasional exceptions  such as at Dizzy’s in NYC which is  frequented by a lot of music students and their arty friends. Jazz is never on mainstream TV. Even in New York, the range and quality of musicians seems reduced compared to her impression of 20-30 years ago. Cécile  may have access to some of the best players around, but those with a genuine love of ‘20s and ‘30s jazz are scarce, and tend to be  more interested  in  the instrumental  perspective.  I note that, similarly, the musicians in the various sets this weekend do seem pretty obsessed with the recreation of legendary  arrangements, whereas her focus is on the interpretation of lyrics, rather than recreating  an icon from the past.
So what are Cécile's plans for the future? In the coming year she plans to record her second album, but the material, personnel and recording dates are still to be finalised. It probably will be a selection of lesser known jazz standards, and possibly 1 or 2 originals. She is writing material but feels that it is not ready to be recorded, comparing her position to that of an unnamed poet who  said that the first 200 compositions  had to be written (badly), before one was able to create good poems.  Meanwhile, she has a busy schedule performing worldwide, in Europe, North and South America and Japan, with artists such as the Christian McBride Trio and Wynton Marsalis, the latter at the Lincoln Center. It seems that her career is on the brink of a big change.  She modestly denies this,  however, when I suggest that her next visit to north-east England is more likely to be at a bigger venue such as Sage Gateshead, Cécile  is most enthusiastic.  But our time  for conversation is up, as she has to go and prepare for possibly her last ever  performance at the Whitley Bay Classic Jazz Party, in a set of later Ellingtonia.  She may now be moving  on  in  her  journey  to  internationally acclaimed jazz singer,  but the experience Cécile McLorin Salvant has gained from her participation in this unique event is likely to have  a  significant  influence on her entire career.
Debra Milne.

1 comment :

Lance said...

Debra, Cécile's CD may or may not be the CD of the year. Her gig's are in the running but, irrespective, this has to be our interview of the year!

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