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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, November 12, 2013

Walter Trout Band + Mitch Laddie Band @ Sage Gateshead. November 11

(Review by Russell)
A dream double bill – US blues-rcck guitar giant Walter Trout supported by local hero blues-rock guitar sensation Mitch Laddie. Contrary to some media reports Trout’s European tour had not been cancelled and Hall Two at Sage Gateshead was busy, the crowded main floor all standing.
Trout, a long time mate of Laddie, made a welcome return to Tyneside. His gigs at Riverside on Melbourne Street, Newcastle are the stuff of legend. Subsequent gigs at other venues have earned the former Bluesbreaker a loyal following in the north east.
As the band took to the stage at Sage Gateshead – Walter Trout (guitar, harmonica & vocals), Sammy Avila (Hammond organ & vocals), Rick Knapp (electric bass) & Michael Leasure (drums) + Andrew Elt (electric bass & vocals) – many in the auditorium stood shocked at the frail figure of Walter Trout. Illness had taken its toll, the XL-size American reduced to a ghostly skeletal frame. Trusty Strat in hand, Trout looked drawn, tired. Would this be a desperately sad occasion? No fear!
Hey, swanky joint you’ve got here. Let’s see if we can take it down a notch or two! said Trout of Sage Gateshead. The band played straight through – ninety minutes – in typical Walter Trout Band fashion. Relentless, high volume, high intensity blues-rock of the highest order. Recently hospitalised, diagnosed with liver damage and other ailments, Trout spoke openly with black humour about his current state of health. He said: I’m sixty two years old. The first sixty years were a f****** breeze. The last two years have been s*** . There isn’t anyone in the rudest of health who could hold a candle to Trout’s blues guitar playing (except, perhaps, Mitch Laddie!) To hear the man play, as if possessed, giving it everything, truly was one of those I was there occasions.
The new CD – a tribute to Luther Allison – featured, as did tunes from his extensive Provogue label recording career. The band’s long term stability ensured the tightest of performances. Hammond organist Sammy Avila rocked out all night long, bassist Rick Knapp exuded authority and drummer Michael Leasure slayed ‘em all. Trout took time out, sitting, then leaning against his guitar amp, clearly tired but enjoying every single second of the gig. Knapp swapped his bass for one number to play fantastic guitar, urged to ever greater heights by the appreciative Trout. A rare treat and a mark of Trout’s generosity of spirit occurred when his tour manager of ten years – Andrew Elt – joined the party to play bass on the number! He could play but there was more to come. Picking up the mic, Elt strutted Rock God-like, screaming a vocal as close to Robert Plant as you’re likely to hear. It just so happens that in his spare time Elt fronts a Led Zeppelin tribute band! Michael Leasure grabbed the spotlight with a powerhouse drum solo, Trout again digging it.
This Sage Gateshead show was a gig and a half, memorable in so many ways, none more so than when Mitch Laddie joined Trout for a blues jam. Walter Trout may not be in the best of health but he possesses great spirit and communicated his love of the blues to a packed auditorium. He went out on Goin’ Down, revitalised, playing the blues. The best of luck to you, Walter. See you next time at Sage Gateshead.          
Earlier, young gun Laddie, from Stanley, County DurhamMitch Laddie (guitar & vocals), Rhian Wilkinson (electric bass) & Matt Connor (drums) – brought a large following with him and his trio hit the ground running. Showman Laddie’s superb technique stripped paint from the walls with quick-fire blues licks. Material from the latest CD – Burning Bridges – and back catalogue numbers ensured his forty minutes support slot flew by. Marvin Gaye’s Inner City Blues and Buddy Miles’ Them Changes received rapturous applause. Laddie’s bass and drums pairing – Rhian Wilkinson and Matt Connor – were with him every step of the way. Laddie is destined for the top and these guys are sure to go along for the ride.
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance