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Bebop Spoken There

Tony Fisher: In the heyday of that scene [the1960s] there were about 120 musicians in London who did everything and of course, if you made a mistake you were never called again." - (Jazz Journal online, 19 September 2019).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Monday, November 18, 2013

CD Review: Keith Jarrett - No End

Jarrett (Electric Guitars, Electric Bass,Drums, Tabla, Percussion, Voice, Recorder, Piano).
(Review by Steve H.)  
Keith Jarrett is one of the finest musicians to ever have graced this earth.
However, this double CD is a strange one. It appears to be an extended jam session, though not a one the Women’s Institute would be likely to hold. Stranger still is that, despite a vast array of instruments played, there is only performer -  Keith Jarrett.
No End was recorded in 1986 in Jarrett’s home studio  with 2 Tandberg Cassette recorders and used over-dubbing to layer all the instruments. It's fairly ambient electro jazz rock driven largely by electric guitar and drums (2 of Jarrett’s self confessed true loves). The tracks are very imaginatively named. CD1 contains tunes I-X and CD2 XI-XX. My own particular favourite is track XII which reminded me of Miles Davis’s In a Silent Way.
Definitely a curious offering and for those expecting to hear the great piano albums that  Jarrett is famous for (e.g.  Koln Concert, Standards Trio) you may be disappointed.  Nevertheless, fans of the great man (of which I must admit to being) will find it reflective , interesting and enjoyable.
Available this month on ECM.
Steve H.

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