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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Thursday July 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. - See above.

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential).

Alan Barnes & Sue Ferris w Paul Edis Trio - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £12.00.

Dulcie May Moreno Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 8:00pm (doors 7:30pm). £6.00. (£3.00. student).

Tees Hot Club w. Richie Emmerson, Noel Dennis, Ted Pierce, Mark Hawkins - Tees Hot Club, Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, November 19, 2013

Sean Noonan & the Suwalki String Quartet @ The Bridge Hotel. November 17

Sean Noonan (drums & vocals), Adam Roszkowski (violin), Afan Asjew (violin), Magda Malecka (viola) & JanRoszkowski (cello)
(Review by Russell/Photo by Ken Drew). 
Odd ball New Yorker Sean Noonan returned to the Bridge Hotel with a string quartet in tow. Drums and strings…the writing had to be on the outside and it was. Noonan wrote the music and lyrics. His storytelling took the form of narration rather than conventional singing. The narrative – A Gambler’s Hand – wove the strange tale of a man trapped in a wall (the wall of the Bridge Hotel, said Noonan). He, the man, broke free and travelled the world – perhaps in a dream, because, after all, he was trapped in a wall. We were in a dream, said Noonan. The audience believed him…well, some of us did.
Clad in boxer’s gown and shorts, the King of Kitsch called the shots, counting in the strings with no more than a stare and a nod. Filigree percussion flitted in and out of the strings, dancing like a butterfly, expertly evading the atonal sting of a fiddler’s elbow. Then with a nod and a stare, a stare and a nod, the man from Brooklyn put the hammer down (The Reincarnation of Several Hammers - John Henry style). The Hub may be in abeyance but Noonan has lost none of the explosive power heard in the NYC power trio’s numerous visits to Tyneside over a period of a decade or so. Razor-sharp drumming (Noonan’s forte) challenged the Suwalki Strings to read the dots and keep up with the pace. The American force-fed them Forced Meatballs – they appeared to like them! The violins did just that – Afan Asjew threw down a solo, winning applause and later Adam Roszkowski went on the counter attack putting his bandleader on the ropes. Cellist Jan Roskowski, hidden behind dark shades, played some dark material, the strings’ secure foundation. Magda Malecka (viola) added tonal contrast, the quartet perhaps heard to best effect when Noonan dropped out. Noonan didn’t sit on his stool for too long, metaphorically or literally. Ever busy, he covered the kit sitting or standing. The comic element emerged from time to time.
A Tommy Cooper – Les Dawson episode (probably lost on the American) required expert timing. Bouncing sticks off the snare, catching them, then, clumsily, not. A clutch of sticks spilled out over snare and toms, the actions of a bungling incompetent. Cooper the trickster, Dawson the pianist, they always pulled it off, the last laugh theirs. So too, Sean Noonan. Sticks gathered up, a brief drum master class concluded the sketch. The doubters were silenced. No they weren’t, they were applauding wildly! Noonan’s big hit – Drunkard Landlady – smeared boozy red lipstick across the audience. Was that a hint of garlic? Hey! Sean, give the lady what she wants! According to the man from Brooklyn she has taken up residence at the Bridge Hotel. Let me out of here!          
(Russell).

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance