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Bebop Spoken There

Bill Reglein (JJ Babbitt m/pieces): "We made this mouthpiece for Eddie Harris. He played tenor sax and trumpet. He played in some pretty rough bars. The story goes that he was afraid he'd get in a fight and get his teeth knocked out. He figured that if even that happened he could still play tenor. So, the request came in, 'Can I get a reed mouthpiece for my trumpet?' the company made exactly one." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday September 23

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, November 28, 2013

CD Review: Kate Daniels - Atmospherics

Kate Daniels (vcl); Tony Coe (ten); John Horler (pno); Mike Piggott (vln); Graham Pike (tpt); John Etheridge (gtr); Alec Dankworth (bs); Winston Clifford (dms).
(Review by Lance).
I usually deal out vocal CDs to Anne Alex or Debra M but, on this occasion, I hope the two ladies will excuse me for being selfish and allow me to wallow in this CD myself!
Kate Daniels is a new name to me but her love of film noir and The Third Man in particular drew her into my aura before she'd even sang a note!
When I spun the CD I wasn't disappointed!
The cool, smoky, laid back approach of say, a Julie London or a Jeri Southern with a sprinkling of Peggy Lee, make this the late night disc to end all late night discs and it's only early afternoon!
Get Out of Town, described as a film noir arrangement certainly has that threatening feeling underlying the introduction - I was already packed and ready to leave until the vocal came in - after that I was staying, it was "Too late my friend!" Graham Pike does a little cooking here.
Angel Eyes - verse done colla voce leading to an emotive reading of the tune with sympathetic tenor from Coe and delicate keys from Horler.
Don't Worry 'Bout Me and I Thought About You have some fine fiddling from Mike Piggott enhancing the already 99% perfect tracks.
Night in Tunisia - discards the usual "kick the camel approach" in favour of a dreamy desert mirage. Etheridge adds to the image.
Whisper Not has Horler and Pike heard to advantage and Kate pays tribute to the Benny Golson tune with as good a version as you're going to hear anywhere.
You Don't Know What Love is and Beautiful Love - packed full of emotion. Where has this lady been hiding?
Nature Boy and Witchcraft - ace! However, listen to Brel's Port of Amsterdam.and the mood is closer to Les Chanson. An earthy Piafesque portrait of the harbour at night, a sort of Apaché Dance sung with passion and feeling.
You know what? I'm gonna play this again! And again and again and again...
For our London readers, Kate Daniels is appearing at the Ajani Grill (289 Hornsey Rd) tonight (Nov. 28.)
Samples etc.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance