Total Pageviews

Bebop Spoken There

Dave Puddy: "Eventually we paid our entrance money [to Eel Pie Island] and fought our way to one of the many bars where we could buy our Newcastle Brown and retire to the back of the heaving dancefloor. There must have been lights somewhere, but my memory remains of being in some dark cavernous wonderland." - (Just Jazz July 2020)

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

11,600 (and counting) posts since we started blogging just over 12 years ago. 735 of them this year alone and, so far, 3 this month (July 1).

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Thursday, November 07, 2013

CD Review: Greg Abate Quartet featuring Mike Levine - Time for Dave.

Greg Abate (ten/alt/sop.); Mike Levine (pno); Todd Baker (bs); Dave Zinno (bs on I Do Love You, Blue Moon, The Duke); Gary Johnson (dms).
(Review by Lance).
A reminder of last night's superb session by Greg Abate, this time with an American Trio in a tribute to Dave Brubeck recorded earlier this year.
As he did last night, Abate demonstrates an enviable technique soaring seemingly effortlessly through the changes. However, unlike last night when he played alto and flute, on this disc he leaves the flute in its case and adds soprano (It's a Raggy Waltz) and tenor (Take Five, Blue Moon, Dave in Rimouski - comp. Abate) to his armoury and he turns out to be a formidable performer on these horns too. Lyrical on soprano, light and flowing on tenor it isn't always easy to differentiate between the upper range of the tenor and the lower notes of the alto ditto - alto and soprano. Comparisions with the originals are irrelevant - both are worthy of a place in anyone's collection. This is a tribute disc not a re-creation. Abate plays boppier lines than Desmond with a sound that's harder whilst still retaining the same melodic feel.
Pianist Levine, who supplied two of three original compositions, mainly avoids the sometimes bombastic approach of Brubeck that alienated so many of his critics in the early days of the quartet (I wasn't one of them!) although he hints at it on Blue Moon. He's a fine player well worth checking out.
Both Baker and Zinno fit into the Gene Wright role whilst Johnson doesn't try and be Joe Morello - not many could - he's still his own man and drives the group along helping to make this a most enjoyable disc.
Lance.

No comments :

Blog Archive