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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,218 (and counting) posts since we started blogging 13 years ago. 637 of them this year alone and, so far, 45 this month (May 11).

Coming soon ...



May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club. 8:30pm start.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Monday, January 21, 2013

Debra Milne Ensemble @ The Bridge Hotel. January 20.

Debra Milne (vocals), Steve Glendinning (guitar), Paul Susans (double bass) & Rob Bates (drums)
Christmas done, New Year done, Splinter at the Bridge is back. Hello snow. The few turned out to hear Debra Milne. The Newcastle based vocalist has assembled a trio of musicians of some pedigree. Guitarist Steve Glendinning knows his instrument, Paul Susans is an in-demand bass player and young drummer Rob Bates has developed at a rate of knots. Milne presented two sets of balanced material; bop standards, a bossa, a couple of original tunes (Glendinning is a song writing partner) and a tune for KC. An intriguing aspect to Milne’s performance is a penchant for writing lyrics to bebop charts  - Killer Joe and Good Bait being two such classics. Jobim’s How Insensitive highlighted the delicate playing of Glendinning, No More Blues swung as did Four with the Jon Hendricks lyric and an original - Show Me the Man - suggested there is a budding lyricist in our midst. Milne was a habitué of the Jazz Café on Pink Lane and the untimely death of proprietor Keith Crombie inspired the tune The Jazz Caff Song and with it the set drew to a close.
Russell        

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