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Bebop Spoken There

Brian Dee: "I feel my generation had one advantage over today's players in that we were not musically educated in colleges, so we all sounded different. I could tell who it was just by the sound." - (Jazz Rag, Summer 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

11,783 (and counting) posts since we started blogging 12 years ago. 1023 of them this year alone and, so far, 50 this month (Sept. 17).

Coming soon ...

SEPTEMBER

IT IS ADVISABLE TO CHECK IN ADVANCE WITH THE VENUE THAT THE GIG IS ON

SATURDAY

Happy Birthday Katy Trigger & Mia Webb.

SUNDAY 20

Vieux Carre Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. Tel: 0191 691 7090. 12 noon. Free.

Riviera Quartet - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. A limited number of seats are available which MUST be bought in advance online. £7:50 or £5:45 live stream only.

THURSDAY 24

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. 0191 266 6173. 1:00pm. Free.

Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00pm - 10pm. Free. Note earlier start/finish.

Monday, January 21, 2013

Debra Milne Ensemble @ The Bridge Hotel. January 20.

Debra Milne (vocals), Steve Glendinning (guitar), Paul Susans (double bass) & Rob Bates (drums)
Christmas done, New Year done, Splinter at the Bridge is back. Hello snow. The few turned out to hear Debra Milne. The Newcastle based vocalist has assembled a trio of musicians of some pedigree. Guitarist Steve Glendinning knows his instrument, Paul Susans is an in-demand bass player and young drummer Rob Bates has developed at a rate of knots. Milne presented two sets of balanced material; bop standards, a bossa, a couple of original tunes (Glendinning is a song writing partner) and a tune for KC. An intriguing aspect to Milne’s performance is a penchant for writing lyrics to bebop charts  - Killer Joe and Good Bait being two such classics. Jobim’s How Insensitive highlighted the delicate playing of Glendinning, No More Blues swung as did Four with the Jon Hendricks lyric and an original - Show Me the Man - suggested there is a budding lyricist in our midst. Milne was a habitué of the Jazz Café on Pink Lane and the untimely death of proprietor Keith Crombie inspired the tune The Jazz Caff Song and with it the set drew to a close.
Russell        

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