Total Pageviews

Bebop Spoken There

JD Allen: "...art in itself is now a luxury that you need a lot of finances to do." - (DownBeat October 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,806 (and counting) posts since we started blogging 13 years ago. 1223 of them this year alone and, so far, 50 this month (Oct. 13).

From This Moment On ...

October

Sun 17: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 17: Musicians Unlimited @ South Durham Social Club. 1:00pm.
Sun 17: Shunyata Improvisation Group @ Unitarian Church, Newcastle. 1:30pm.
Sun 17: Vula Viel @ The Globe, Newcastle. 8:00pm.

Mon 18: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: NUJO Jazz Jam @ Bar Loco, Newcastle. 7:00pm. Newcastle University Jazz Orchestra.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Sunday, January 06, 2013

What I Did in the New Year Holidays by Ann Alex

Reminds you of stuff the teacher made you write in the junior school, doesn't it ?  This blog truly does include many types of writing!  Anyway, I stayed at Brecon in mid-Wales, on a leisure activities holiday, organised by a firm that I travel with regularly.  The subject was The Joy of Music and the tutor was one, Chris Howes, jazz pianist, teacher of adults and skilled raconteur.  Jazzers I've spoken to seem recall the name but not many details.  I think Chris would be amused by this.  Brecon Jazz Festival perhaps?  Anyway, many types of music were explored, with excellent powerpoint presentations.  This tutor is something of an expert on the slave song origins of blues and jazz, so I learned lots. 
Other information conveyed included an analysis of a typical 32 bar song (Blue Moon); a run-down of what was happening musically between Stan Getz (tenor sax) and Kenny Barron (piano) in East of the Sun; then came Frank Sinatra with How Deep is the Ocean, to illustrate Sammy Cahn’s statement that it’s not possible to sing such a song without becoming involved with the meaning of the words.  The song-writing partnership of Rodgers and Hart was interesting.  Apparently Rodgers was quite dour but Hart was an emotional type, and he had the ability to come up with instant rhythmic, rhymed lines as if it was part of normal conversation.  Hart did the words first and Rodgers produced the music later.  Their partnership was far longer than that of Rodgers and Hammerstein.  We were told that jazz musicians find the songs written by Hart much more satisfying to play.  Now I think of it, you don’t hear many jazz musicians playing songs from such shows as Oklahoma, do you?
We learned that pianist Ellis Larkins produced his unusually mellow tone by having the damper pedal on the piano actually tied down, to save having to keep it depressed by foot all the time, as illustrated by his accompaniment for Ella Fitzgerald on You Turned the Tables on Me.  And did you know that Irving Berlin couldn't speak a word of English when he arrived in the States, yet his song-writing shows a good grasp of everyday speech?  And he never really learned to play an instrument properly and played the piano on the black notes only.
Other music we heard included Gil Evans arrangement for the wonderful trumpet version of  the Rodriguez Guitar Concerto by Miles, and Half the Fun from Duke Ellington’s Shakespearean Suite Such Sweet Thunder.  This is the bit about Antony and Cleopatra, and it had a definite Egyptian feel, with an insistent rhythm and excellent percussion.  Apparently the last long sax note has to be done with circular breathing, which isn’t recommended by doctors, we were told.
A good time was had by all – apart from the sad text I received….
Ann Alex.

No comments :

Blog Archive