Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18799 (and counting) posts since we started blogging 18 years ago. 663 of them this year alone and, so far this month (Aug. 12) 32.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Thu 13: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 13: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 13: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free. CANCELLED! Back on Aug. 27.
Thu 13: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: John Settle Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. John Settle (vibes); Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 14: Bold Big Band @ Pilgrim, Newcastle. 8:00pm. £8.00 + bf.

Sat 15: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 15: Jake Leg Jug Band @ The White Room, Stanley. 7:45pm. £16.26.

Sun 16: Vintage Explosion @ Cliffe Park, Roker, Sunderland SR6 8DB. 5:00-10:30pm. £44.00 (inc. bf).

Mon 17: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Wednesday, January 30, 2013

Zoe Gilby @ The Cask, Scarborough. Jan 23.

Vocalist Zoe Gilby and her band gave an evening of excellent entertainment at Scarborough Jazz on the 23rd January. This was their second visit and it was notable that their repertoire included more original songs than on their first appearance. This demonstrates -  quite rightly - their confidence in such material.  Some of these songs are inspired by novels: ' The Midnight Bell'  describes a fictional pub that sounds worth a visit. 'Guilty Man ' and 'On The Edge' also had their inspiration from novels, while ' Your  Words' was a recollection of disillusioned love. Zoe's first  impressions of Marrakesh were captured in 'Red City'. 
Scattered throughout both sets were better known standards that were  well chosen and every number had clever arrangements and good  musicianship.

With Zoe were Mark Williams - guitar, Richard Brown - drums and  husband Andy Champion on double bass. They have all been together  long enough to have melded into a swinging unit with great personal  skills.
Zoe is interesting when introducing the numbers, either telling how they came about or recalling who she first heard singing it. In the  case of 'Some Cats Know' it was Peggy Lee, and Zoe gave it a wonderfully sultry feel. Only 'Halfway To Heaven' seemed to to have a vague attribution, as she came across the song on the internet without any provenance. It is a fun, raunchy song, whoever wrote it.
The evening had too many highlights for them all to be mentioned, but I would like to applaud the courage in opening the first set with a very slow ballad sung over only a bowed bass accompaniment. That seemed to epitomise Zoe Gilby's self confidence and flair. Come to think of it, I never heard her ask for a starting note or glance at a lyric sheet once during the entire session! I'm sure that I speak for the very appreciative audience when I say that I look forward to the next visit by this remarkable band.
Dick Armstrong.

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