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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

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Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

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Postage

13,248 (and counting) posts since we started blogging 13 years ago. 667 of them this year alone and, so far, 75 this month (May 16).

Coming soon ...



May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club. 8:30pm start.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Tuesday, August 07, 2012

CD Reviews: Gato Libre - Forever/ Natsuki Tamura and Satoko Fujii - Muku

Natsuki Tamura (tpt);  Satoko Fujii (acc); Kazuhiko Tsumura (gtr); Norikatsu Koreyasu (bs).
(Review by Lance.)
I can count on one finger the number of Japanese jazz CDs I've listened to over the years then, lo and behold, two come at once.
Forever, recorded September 2011 is a dirge-like collection of originals by Tamura. His style reminds me somewhat of the Polish trumpet player Tomasz Stanko. Long notes, probing phrases - licks they ain't - a complete absence of any form of rhythm but packed with what I guess you might describe as emotional content
.
Guitarist Tsumura has a few moments of beauty and Fujii, on accordion, produces some drone-like sounds behind the trumpet's searching lines. Bassist Koreyasu, who died shortly after this recording,  adds a feeling of atonality to his arco work. It's difficult to pigeon-hole. There's a feeling of freedom about it yet it doesn't stray too far from the bounds of convention - I wish it would, at least it would have kept me awake. A few quavers and semi-quavers thrown into the mix wouldn't have gone amiss either. 
I could listen to any one of the eight tracks, no problem, but en masse ? - Sorry.
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Tamura and Fujii (Mrs Tamura) shed bass and guitar for the duo recording - Muku. Fujii swaps her accordion for piano and the results are considerably freer, enjoyable at times, but equally frustrating. Tamura blows lyrical phrases only for him to finish them with some strange noises whilst Fujii alternates tenderness with what I think of as forearm smash piano playing. 
In Paris, In February is the exception - it is quite delightful.
And in fact there are good things here but, for this reviewer, not enough of them.
Both CDs are released on Libra Records.
Lance.

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