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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,248 (and counting) posts since we started blogging 13 years ago. 667 of them this year alone and, so far, 75 this month (May 16).

Coming soon ...



May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club. 8:30pm start.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Tuesday, August 28, 2012

CD Review: Filipe Monteiro - In Bad Company.

Filipe Monteiro (gtr); Roberto Manzin (ten/sax/clt); Sam Leak (pno); Fergus Ireland (bs); Callum Armstrong (bagpipes); Lewis Wright (dms).
(Review by Lance.)
Let me make this clear - this disc has nothing to do with the rock band Bad Company! It's far too good for that. However, I could see the name being a deterrent to the right customer and an attraction to the wrong one!
The CD is Monteiro's first album and it is an impressive début. Drawing on his memories of living in a small village nestled in the Italian Alps, moving around Europe and Canada, settling in London in 2005 and, of course, his affinity with Brazil. The all but one self-penned compositions create an aura of beauty that reflects in the music. The inclusion of bagpipes may cause a few quizzical eyebrows to be raised but the pipes are not intrusive and contribute greatly to the one track where they are featured.
As well as his compositional skills, Monteiro is no mean guitar player, displaying a wealth of ideas in solos that abound in lyricism. 
Reed-player Manzin has a prodigious technique that he utilises effectively on tenor, soprano and clarinet. On the non-original - Mingus' Duke Ellington Sound - the tenor is full and round with an almost Websterian sensuousness and guitar and tenor combine well in the ensembles. And how about that clarinet on Missing Home? About time we had some new liquorice and this is very tasty liquorice indeed! Some nice piano from Sam Leak on the Mingus piece
Leak, in fact, is a tower of strength throughout and bass and drums gel helping to make this an album to delve into time and time again.
Filipe Monteiro: In Bad Company was released earlier this year. To obtain a copy check here.
Lance.

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